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Shooting for compositing
Hi! Im looking to learn the workflow and process when filming for compositing. Since I dont know the termonology it would be much appreciated if I was pointed to some more or less extensive information on the subject.
A concrete example: I would like to composite a stopmotion teddybear on top of footage of a skyline, since it will be moving towards the camera how do I keep the perspective “realistic”? I guess focal length and distance to objects is key here but Im not sure how to apply it.
(Not sure if this is the right subforum?)
Thanks in advance!
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1 Reply
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Here’s a good resource:
Tudor “Ted” Jelescu
Senior VFX Artist
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