Tudor "ted" jelescu
Forum Replies Created
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If the bubbles made with the method in the tutorial I sent you are too fast, just precompose and then Time Remap. This will slow down the movement.
As far as the look goes, you need to play with various transfer modes and try even using two instances of the same bubbles layer with different transfer modes.Tudor \”Ted\” Jelescu
Senior VFX Artist -
Free Form V2 or FreeForm Pro from Mettle allow for 3d distortion and displacement. I would use one of these plugins to distort the text/logo layer in 3d and match the perspective of the plane. You can also track the camera move in the shot (if it’s a moving shot) and match the move.
Tudor \”Ted\” Jelescu
Senior VFX Artist -
It looks like you need a simple bubble effect in AE that can last for the full length of your clip:
https://www.youtube.com/watch?v=zRe-z4la64g
There are more complex and realistic ways of creating bubbles in AE but the above should do the trick for you
Tudor \”Ted\” Jelescu
Senior VFX ArtistSome contents or functionalities here are not available due to your cookie preferences!This happens because the functionality/content marked as “Google Youtube” uses cookies that you choosed to keep disabled. In order to view this content or use this functionality, please enable cookies: click here to open your cookie preferences.
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You can use the techniques in this tutorial:
https://www.videocopilot.net/tutorials/dynamic_machine_gun/
Tudor \”Ted\” Jelescu
Senior VFX Artist -
The simpler way to deal with this would be to interpret your footage at 30 fps bring it in a 30 fps comp, and then bring that comp inside a main comp where you can Time remap.
Tudor \”Ted\” Jelescu
Senior VFX Artist -
Animating the dot growing, positioning duplicates and offsetting that would be the first thing I would think of as well. But if you have 2, 3 or more colors for the dots (potentially more and you can color correct them after that or replace color after the animation is done) then you can separate layers with dots of the same color, use a matte choker to animate the growth of the dots, and then offset the layers. Hope that makes sense.
Tudor \”Ted\” Jelescu
Senior VFX Artist -
From my experience- yes, much faster.
Tudor \”Ted\” Jelescu
Senior VFX Artist -
Having worked with Aienware for a few years, I can tell you that you pay a lot for the brand. I would look at other options: Origin PC, Xoticpc, 3XS or Falcon PC are some options. 2GB for the video card is quite low.
Tudor \”Ted\” Jelescu
Senior VFX Artist -
Plenty of tutorials using Mocha and AE for face replacement. My advice – do a lot of testing for workflow and shooting if you never did this before.
Tudor \”Ted\” Jelescu
Senior VFX Artist -
Not sure what you are asking about exactly. Is it the look of the artwork – if so, create the graphics in AI, bring them in in white, set transparency and a glow. As far as the lines connecting the graphic elements with the fingers you could create them several different ways. Layer Connect or the Beam effects could be two ways of doing it.
Tudor \”Ted\” Jelescu
Senior VFX Artist