Trevor Ward
Forum Replies Created
-
I don’t have the answer. But I think it has to do with field order. Anyway, I use slo-mo quite a bit and have found that unchecking the frame blending give me much better slow motion. Now, if you’re having problems with the flickering, just throw the deinterlace filter on it and it cleans it right up.
-trevor ward
orlando, fl -
read the message board…just a few posts ago.
-
I think I figured it out. I just make the film stip the parent of the video clips. When I move the film strip, all the clips move with it. VERY COOL. I like After Effects.:)
-
I can relate. I’m just getting into AE. To move frame by frame, use Command + left arrow or right arrow.
To set a keyframe, in the timeline layer list, drill down to the attribute you want to keyframe, say opacity. Click the stopwatch next to it. Change the value and you’ll notice that a yellow marker has been placed in your timeline. Now move to a differnt time and change the value, and another marker will be there.
-
This should be the title.
-
I use Magic Bullet and have fooled several people into thinking it was shot on 16mm. Not even shot in 24p. I think the film look has more to do with depth of field, good quality camera movements, and good coloration filters. But what do I know, I’ve never worked with film.
-trevor
-
Yeah, I wanted to do the same thing. You can do it in AE or Motion. But, you can try this:
1. Duplicate the clip and add it to a video track underneath the original.
2. Scale up the duplicate just a tad.
3. Adjust the duplicate by adding a combination of video effects such as tint, gaussian blur, mask feather, etc. and adjust the opacity.-trevor
-
I know the answer to this one. make sure it is an 8-bit file. I’ve had the same problem before. Doesn’t amtter if its from PC or Mac.
BTW, when you say you don’t see the layers, do you mean that when you double click on the “sequence” of the psd, there is only one video track in the timeline? Or, do you mean that you only see one psd file in your bin?
-
yeah, I suppose that some of the stock footage could be combined (composited) with my footage, but I’m still looking if someone has had to mimic this and the technique they used.
-
Actually I can because I was NOT in the non-controlled deck setting. I changed to Firewire PAL. So the in and out points and time code is intact. But, for this particular project, I’m just putting this footage he had from Europe onto a DVD for him so it’s not a big deal.