[Trevor Ambrose]

Hi Michael,

Thanks for your response.

Here are the particulars of my show.
It’s shot on film at 24fps.
I have digged into a 23.97p 35mm 4 perf project.
My timeline is 30 nd.
I’m exporting with a sorenson squeeze for DVD.

It’s an old Avid 3.5 and they had not invented an Iphone yet.
Any old compressions you can think of?

Take care,
Trevor

[Trevor Ambrose]

Hi Dave,
I’m coming out of the DVI ports which I believe should be stable. I’m going to try other ways to connect to the monitors to see if it is in fact the DVI card.
Thanks for your help. Much appreciated.
Trevor Ambrose

[Trevor Ambrose]

Nice brain storming Michael. Gives me lots of ideas to try.
Thanks,
Trevor Ambrose

[Trevor Ambrose]

Sam, thank you so much for all of the awesome help you have given me. It’s very kind of you.
Trevor Ambrose

[Trevor Ambrose]

Hey Walter,
I just wanted to thank you for your time and your excellent very detailed advise. It’s very helpful.
Trevor Ambrose

[Trevor Ambrose]

Thanks for all the info Sam. It’s really appreciated. At risk of being tedious, I have one last question. What is the practical application of an “extreme” card?
Thanks again,
Trevor Ambrose

[Trevor Ambrose]

Wow, thanks for the extremely good advise and info. That’s got to be one of the best replies I’ve ever gotten.
Thanks a lot!
Trevor Ambrose

[Trevor Ambrose]

Thanks Dan. That’s what I’m hearing more and more. I appreciate the advise.
Trevor Ambrose

[Trevor Ambrose]

Thanks Raphael,
I was thinking Dell. You’re helping me fell more confident about them.
Trevor Ambrose

[Trevor Ambrose]

Thanks Sam, that’s extremely helpful advise. With the intensity card can I still digitize tapes from a DV cam deck?
Take care man,
Trevor Ambrose