Tony Silanskas
Forum Replies Created
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[Matt Callac] “Yeah, I’m pretty sure with your blog posts and articles you’ve provided more info for this forum than any of the rest of us chumps.”
Agreed! And thanks for hanging in there with us…
tony
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And I’d love to hear how FCPX reacts to a ton of XDCAM EX footage since FCP 7 was always unstable with those large projects.
tony
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Just search for “Censor” under the effects tab or click on “All” Effects and look for Censor. If it’s not there, maybe I got the “golden ticket” FCPX in which they added one extra filter to remind us with humor that they “censored” this first version. =)
tony
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Try the old fashioned way:
Put your main cam on track 2 and your B cam (the one you will cut to less often) on track 1. Scaled them both down so that you can see both cams during playback. Then watch it down and just blade out of the parts of the main cam you don’t want to reveal the b cam below. If you don’t want to spend time cutting on the first pass you can use markers to mark where you want to cut then go back and splice later.
tony
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Thanks for sharing! BTW, did you base this off the FCPX Censor effect?
tony
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Try this:
Go to your System Settings (Shift + Q) and click on the “Memory and Cache” Tab. Increase your Still Cache. Then restart FCP.
Once FCP’s Still Cache is full it won’t be able to play back stills in realtime.
tony
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[Mark Dobson] “I have a bin for each interviewee, I can create subclips, colour code them, number them, spread them out etc, make subclips of subclips.”
I know this has been talked about a bunch on here, but you can use Compound Clips as subclips. Besides color coding, you can do everything you did in FCP 7, even add notes/keywords/markers that only apply to that Compound Clip.
tony
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Thanks for the tip! Hoping there’s an option added to make this available in FCPX.
tony