Tony Brittan
Forum Replies Created
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Another thing that helps is to make the dpi on images 72dpi. I use Photoshop to batch re-size to .png and 72dpi.
Tony Brittan
Apple Certified Pro – FCP
Owner – Island Shore Productions -
Is this Scott in Memphis?
Tony
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https://www.finalcutprotemplates.com has some really cool stuff that works in motion or inside FCP!
Tony Brittan
Apple Certified Pro – FCP
Owner – Island Shore Productions -
Try putting your clip on the timeline, 3-way CC and take saturation all the way down (or whatever BW method you prefer using filters), use the blade tool and split the clip in the middle, then remove the filters on the second half, and put a cross dissolve between the two halves and make the transition as long as you’d like it to be.
Tony Brittan
Apple Certified Pro – FCP
Owner – Island Shore Productions -
Well, depending on what version of FCP you’re using, you have options for what Prores you can use. In FCP 6 it’s either regular Prores and the HQ version. HQ is overkill, intended for RED or better footage (over 2k), and can cause problems that you can read about if you’d a search. Anyway, in FCP 7 there’re more choices as well. But you can’t go wrong with standard Prores! The HQ doesn’t mean HD…Prores will work with whatever resolution (720p, 1080i60, NTSC) you are working with and is almost always your best choice when using FCP. Hope that helps!
Tony Brittan
Apple Certified Pro – FCP
Owner – Island Shore Productions -
Brian – those are awesome! Free and in Prores as well. Nice share.
Tony Brittan
Apple Certified Pro – FCP
Owner – Island Shore Productions -
Dave is absolutely right! Motion and it After Effects are your friends!
Tony Brittan
Apple Certified Pro – FCP
Owner – Island Shore Productions -
Try using Prores (non HQ).
Tony Brittan
Apple Certified Pro – FCP
Owner – Island Shore Productions -
Pretty much anything that comes from a memory card or other digital form must be transcoded for FCP unless it’s one of the couple that it supports natively (like Sony XDCAM). If you’re not using Log & Transfer, try transcoding in compressor or MPEG Streamclip.
Tony Brittan
Apple Certified Pro – FCP
Owner – Island Shore Productions -
It’s called film burn, light leak, and or film clutter. You buy them from places like artbeats then put em on track two (or other track above your video) and them play with position over your cut and use a composite mode to add em. That’s the short version…I’m typing on an iPhone. Google or search these forums for “film burn effect tutorial”.
Tony Brittan
Apple Certified Pro – FCP
Owner – Island Shore Productions