Forum Replies Created

Page 446 of 505
  • Tom Wolsky

    April 20, 2006 at 1:07 pm in reply to: moving clip on timeline

    If the clip is selected and you press the option key before you move the clip it will give a copy insert function. If you move the clip and then press the option key you will get the hooked arrow for a swap edit. In no instances do I see other tracks not moving when either edit is done. The insert in either function moves all tracks for me.

    All the best,

    Tom

    Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 2 Editing Workshop” Class on Demand “Complete Training for FCP5” DVD

  • Tom Wolsky

    April 20, 2006 at 12:29 pm in reply to: moving clip on timeline

    What you’re doing sounds like a swap edit. What version of the application are you using? What you describe does not happen for me. All the tracks downstream of the edit move together. There may be specific instances in which the tracks don’t move properly because of track conflicts, but normally it does happen.

    All the best,

    Tom

    Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 2 Editing Workshop” Class on Demand “Complete Training for FCP5” DVD

  • Tom Wolsky

    April 19, 2006 at 5:13 pm in reply to: Capturing Live through FCP with TC…

    That functionality seems to have been broken in FCP5. I haven’t tried it with RS422, but it’s broken using FireWire, so probably is there as well.

    All the best,

    Tom

    Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 2 Editing Workshop” Class on Demand “Complete Training for FCP5” DVD

  • Tom Wolsky

    April 19, 2006 at 5:05 pm in reply to: Somebody must know this??????

    That’s the way the formats compression works.

    All the best,

    Tom

    Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 2 Editing Workshop” Class on Demand “Complete Training for FCP5” DVD

  • Tom Wolsky

    April 17, 2006 at 7:08 pm in reply to: timeline zooming like Avid

    Opt-= and Opt– will zoom the timeline even if the viewer or the canvas is the active window.

    All the best,

    Tom

    Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 2 Editing Workshop” Class on Demand “Complete Training for FCP5” DVD

  • Tom Wolsky

    April 17, 2006 at 12:39 am in reply to: dealing with timecode breaks during capture

    You’ll have the same transition problem whether FCP breaks up the clips or not. If you use the whole shot and try to add a transition to it, the transition would just extend into the next shot during the effect.

    All the best,

    Tom

    Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 2 Editing Workshop” Class on Demand “Complete Training for FCP5” DVD

  • Tom Wolsky

    April 15, 2006 at 11:09 pm in reply to: Mac minis and FCS

    Quite the contrary. Someone who says he’s running the UB versions of FCP and Motion and the other apps without problem. I wonder if this is a PAL/NTSC thing. He is only doing DV of course.

    All the best,

    Tom

    Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 2 Editing Workshop” Class on Demand “Complete Training for FCP5” DVD

  • Tom Wolsky

    April 15, 2006 at 8:55 pm in reply to: Mac minis and FCS

    This thread on the LAFCPUG forum might interest you.

    https://www.lafcpug.org/phorum/read.php?f=1&i=118550&t=118550#reply_118550

    All the best,

    Tom

    Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 2 Editing Workshop” Class on Demand “Complete Training for FCP5” DVD

  • Tom Wolsky

    April 15, 2006 at 3:55 pm in reply to: Sending Clip from FCP to Soundtrack Pro

    Is it a clip with two tracks of audio? Can you delete one of the tracks, or are they separate, discrete tracks? If the latter send to multitrack project and open the track you want from there. Otherwise delete a track and see if you can send the single track to a project file. STP is a little flakey about this.

    All the best,

    Tom

    Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 2 Editing Workshop” Class on Demand “Complete Training for FCP5” DVD

  • Tom Wolsky

    April 14, 2006 at 9:58 pm in reply to: new training tool

    This is such an unusual and non-standard form of shooting, and having material, so different from anything else people might encounter, that my first reaction would be that it’s not a good vehicle for instruction. It’s also limited specifically to narrative fiction, which, while appealing to those in LA and similar production centers, is not the vast bulk of production created by this software. It might perhaps be good training material for a film school, but again the multicamera production makes it so unusual that it might have limited appeal. Just my thoughts on it without seeing anything of the material or how it’s shot.

    All the best,

    Tom

    Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 2 Editing Workshop” Class on Demand “Complete Training for FCP5” DVD

Page 446 of 505

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