Forum Replies Created

Page 77 of 81
  • Todd Perchert

    November 30, 2005 at 3:41 pm in reply to: Make MPEG clips

    Compressor will be able to batch these for you. TC

  • Todd Perchert

    November 29, 2005 at 7:26 pm in reply to: Conversion of 44.1 to 48

    I like the Shareware program SoundConverter for all my audio conversions.
    https://www.dekorte.com/projects/shareware/SoundConverter/
    It does a whole lot for $10.
    TC

  • Todd Perchert

    November 28, 2005 at 7:32 pm in reply to: Audio Dropouts

    Try doing an audio mixdown. This usually solves that problem.
    TC

    TC Perchert
    KRQE Commercial Producer
    Albuquerque, NM

  • Todd Perchert

    November 18, 2005 at 4:02 pm in reply to: Converting mpg to mp4

    Try converting the mpeg using QuickTime Pro instead. TC

    TC Perchert
    KRQE Commercial Producer
    Albuquerque, NM

  • Todd Perchert

    November 18, 2005 at 4:00 pm in reply to: Editing Mpeg-2 files in Fcp

    Actually, MPEG Streamclip is from Squared 5. And yes, it works great!
    TC

    TC Perchert
    KRQE Commercial Producer
    Albuquerque, NM

  • Todd Perchert

    October 20, 2005 at 9:07 pm in reply to: Shooting Stock Footage

    Here’s an article that may help get you going.
    https://www.studiodaily.com/studiomonthly/searchlist/5219.html
    TC

  • Todd Perchert

    October 19, 2005 at 9:53 pm in reply to: MP3 Encoder for Mac

    I use SoundConverter frequently for converting to and from mp3/aiff/wav. It works with a gazillion audio formats. It is $30 though.
    TC

  • Todd Perchert

    October 19, 2005 at 2:32 pm in reply to: DVCAM for broadcast SD television. Opinions please.

    [Tim Snider] “Source captured with Sony DSR-500 with YJ18x9 lens (DVCAM)
    Footage captured with DSR-1500A via Firewire into Final Cut Pro, edited in NTSC/DV
    Mastered to Betacam SP via component cables to deck from DSR-1500”

    Tim – this isn’t too far off from what we use. We shoot on a DSR-390 and playback on a DSR-45, BUT we capture 8 bit Uncompressed through our AJA iO instead of DV. This way any layering and graphics look better. Then we also dump out to BetaSP for broadcast.

    I’ve found the end result, for what we are doing, to look better with this route than capturing and working in a DV timeline.

  • Todd Perchert

    October 5, 2005 at 6:04 pm in reply to: Wireless Field Microphones

    It is 800 series. That might be a viable option. Although, I would like to get the two input receiver, rather than having two separate ones. What about microphones. I like the Sony 77, but would love to try out the mini lavs. Have you compared them at all? I’d like something easier to hide when it has a windscreen attached.
    TC

    [Seth Bloombaum] “If your sony wireless are 800 series you’ll do well to get them repaired.”

  • Todd Perchert

    October 5, 2005 at 2:46 pm in reply to: What are we missing in our set-up?

    It helps to start out with a good microphone, and good placement. But, for an easy fix without spending a fortune, you may want to try to sweeten the audio in SoundTrack. I do this with most of my audio.
    TC

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