Todd Perchert
Forum Replies Created
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The 50 isn’t a full raster HD image. You’d need to shoot at 100 for that. That’s how Panasonic keeps the rate down on the 50, and you can record more on a single card.
You can make your sequence an AVC-I 100 sequence and you don’t need to edit at 1440 if you don’t want to.
It’s not junk. Either shoot at the lower rate, or get a higher capacity cards/more cards.
The color space with the 100 will blow away your GoPro when it comes to color correction.
TC -
[Jon Doughtie] “No need to hunt down another fie converter.”
Unless you get all kinds of different files and formats. Then you’ll want to have VLC and Handbrake handy for those instances. Both have recovered files I needed that either Adobe didn’t recognize or file was damaged (according to AME/PPro).
TC -
Yes. Definitely need the specs on your original mov file, especially codec. And also the files you are transcoding to. If you want to edit, mp4 or mkv may not be your best options. More edit friendly codecs are better, such as ProRes or Cineform.
TC -
I’m guessing some are stereo, some mono. You may want to send some to a submix and add your effects on the sub.
https://helpx.adobe.com/premiere-pro/using/advanced-mixing.html
TC -
So do you need to sync this audio with video? Or is it already synced on your FS7 footage? If it’s synced, then you wouldn’t really need to worry about it. If you need to sync up some other video sources, then you may need to create merged clips.
From Adobe:
Use timecode from an audio master clip to create a merged clip
You can use the timecode from an audio master clip when you create a merged clip. You can also choose to omit the source camera audio when creating a merged clip.Do the following:
Select the video clip and the audio clip that contains timecode.
Choose Clip > Merge Clips.
In the Merge Clips dialog box, do one of the following:
To use timecode from an audio master clip to create a merged clip, select the “Use Audio Timecode from Clip” check box. Then choose the audio track you want to synchronize video with from the pop-up menu.
To delete source camera audio from a clip, sele ct the “Remove Audio from AV Clip” checkbox.
4. Click OK.https://helpx.adobe.com/premiere-pro/using/synchronizing-audio-video-merge-clips.html
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I know High Sierra worked great with 2017 on an old imac. I’m currently on Catalina with Adobe 2020 on MacPro (2013) and working fine. Your MBP is on the support list for Catalina. I wouldn’t suggest Mojave.
I’m not sure what OS you need to use with your phone..
TC -
What are your audio channels? Are you looking at 1 stereo channel, 2 mono, or a number of mono channels? Can you isolate the one with noise, or is it on all channels? If stereo, can you isolate left/right and still have the noise on both sides?
TC -
I haven’t seen much of a performance difference. I had jumped to Adobe 2020 prior to going to Catalina. So far, so good. I do a mix of ProRes UHD (Blackmagic Ursa Mini), h264 UHD (Phantom 4 and Osmo), and 1080 (various codecs) in 1080p timelines. h264 UHD can be choppy – especially from Phantom 4, but that’s to be expected. All video is run off a Facilis Terrablock shared with one other user.
When I first went to 2020 in Mojave, I did have some weird lines in my program monitor in PPro on my second display.
After Catalina, occasionally PS will not show window properly when making a new document – but I double-click window and it shows up. That’s about the worst thing thus far. Fingers crossed… ☺
TC -
Probably how they keep costs down. Looks like you can use Vimeo or YouTube as well. So your not tied to having to use their servers.
TC -
I just pulled this from the Filmfreeway site. They have best specs listed.
Maximum video bitrate: 2200 Kbps, H.264, mp4
Audio: 128 Kbps, AAC, 2 channel stereo
Aspect ratio preserved; maximum video height of 720 pixelshttps://filmfreeway.com/help/article/16013/what-format-do-you-recommend-for-video-uploads
The 2200 Kbps would be 2.2 Mbps – roughly.