Toby Angwin
Forum Replies Created
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So are you suggesting holding off on getting any 580’s in favour of 680’s all throughout?
Toby Angwin
Director
Soup Kitchen Films
https://www.soupkitchenfilms.net -
HI Shane,
If you’re talking about just entering in the Reel info and then batch selecting, I know how to do that but as it’s 5d footage all the TC starts at zero so giving multiple clips the same reel id doesn’t help for dupe detecting or edls etc.
It’s one of those things that doesn’t HAVE to be done for this project so I’d rather cut than spend a few hours manually entering unique id’s for each one. I just thought there might be a clever script or something as it’s should just be a matter of copying the filename minus extension into another part of the metadata.
Any thoughts?
Cheers,
Toby
Toby Angwin
Director
Soup Kitchen Films
https://www.soupkitchenfilms.net -
Hi Matt,
Good to hear it’s happening elsewhere. I’d love to know why.
No everything was 16×9. There was only the base layer and an animated lower 3rd under the text, all flagged properly. But I will check again as it was one of those projects where anything that could go wrong, did.
Cheers,
Toby
Toby Angwin
Director
Soup Kitchen Films
https://www.soupkitchenfilms.net -
No, keyframes, nothing like that. I even did a remove attributes just in case but there was nothing to remove. It happened uniformly on each dissolve on each separate title.
I actually just spoke to a friend having the same problem.
Hmmm it sounds like a PAL problem to me. Typical.
Cheers,
Toby
Toby Angwin
Director
Soup Kitchen Films
https://www.soupkitchenfilms.net -
I think what Jim is suggesting is that once you rename the receipt, you file that you downloaded at your work PC should install properly.
Cheers,
Toby
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Thanks for the quick response Kristian.
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You can easily export an xml of the project from 5.1.1 and import that back into 5.0.4 maintaining most if not all effects and stuff you have done. This won’t violate your license. I did this to get a project back on a clients fcp4 suite. But do you really want to work on the SLOW g4 if you have a macbook and the universal FCP?
Toby Angwin
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If you don’t need to maintain the time exactly, the easiest way is to output a final cut pro movie (self contained) then reconform it to 25 frames in cinema tools, then drop that into a PAL timeline and scale down with motion quality set to best.
If this is for sound then you need to put out 24@25 with a frame repeat rather than frame blending. In fact IMHO the frame blending option always looks a bit crap.
Movies are all just telecinied at 25fps for PAL countries (check the listed running time on a dvd versus the actual) It’s not ideal but it’s the best solution at this time.
Cheers,
Toby
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Thanks for the response Kristian,
Out of interest, is 2k or HDSL something that the 4 4 4 card could be capable of with software updates or is the hardware itself not able to handle it?
Cheers,
Toby
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MBE aside, does the 4:4:4 HD Pro card support 2k or HDSL out of the BNC connectors? as in could I just add a HDLink to my setup and use it with a 30 inch monitor…
Cheers,
Toby