Tero Ahlfors
3
COW Coins
1
Solve Coin
Forum Replies Created
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[Duke Sweden] “This “seems” to be the only drawback to Resolve compared to Premiere Pro. In PPro I can create different sequences for each “scene” in my video, then combine all of the finished sequences into one final sequence timeline for encoding as a complete video.”
Nesting works exactly the same in Resolve. Make an empty timeline and edit your other timelines in that.
[Duke Sweden] “Can you? Oh, I already tried a search in the manual. Nada.”
Page 416
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Well if you can’t see the eye then you probably don’t need to change the color for that eye. If you need to see both eyes then arrange a reshoot with proper lighting.
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If you have one of the HSB values activated (the dot next to the parameter is selected) you have a hue bar. If you have one of the RGB values activated you have a brightness bar. This can be seen in your screenshots and this is how it works in CC 2018.
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Why can’t you deliver a full hd file? Now you’re making a full hd comp, rendering that out to SD losing a bunch of quality and then scale it up and making it look worse.
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Disable the track targeting for the audio tracks.
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Have you tried reading the manual?
https://helpx.adobe.com/premiere-pro/kb/ingest-proxy-workflow-premiere-pro-cc-2015.html
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Exports shouldn’t use proxies.
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Different pieces of software have different optimizations for different codecs. You could try turning on the performance mode or updating your Resolve to 14.1
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The timecode needs to be a timecode track for it to show up. Basic consumer cameras do not write a timecode track but there are programs that can write the time of day information as a timecode. I believe EditReady has that function.
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What you could try:
-Turn off the GPU rendering
-Make a new sequence with custom settings
-Make a new project
-Trash your preferences