Steven L. gotz
6
COW Coins
4
Premiere Pro Coins
Forum Replies Created
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Sure, simple enough. Do what he did but use a Garbage matte. You can use a 4-point for many things, but you can animate a 16-point Garbage matte if necessary.
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I have never seen pixelization on a still image. What size is the image? And what frame sie is the project?
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When I did the Premiere Pro 1.5 tutorials for Lynda.com, I copied the FCP tutorials using the same footage. All I know is the other instructor kept explaining workarounds that were no problem in Premiere Pro. And the ability to edit in audio units is very cool. On the other hand, mouse users like myself could get used to the concept of drop zones like they have in FCP. Drop toward the top of a track is one thing, the bottom another. Kind of cool.
In any case, the two products are a lot closer than you might think. The test would need to include real world editing issues, but you would have to be certain that the features that make Premiere Pro better are included, and that the features that make FCP better are also included. So you would really have to be familiar with both products uniques features.
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Have you rendered the timeline?
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I have to admit that I read this post at least 6 times and I still do not understand what you are asking. “Source side audio monitoring levels” ???
Please explain what you mean for us dummies. Perhaps I will get it the second time?
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Keylight in AE, no question. End of story.
There are other third party apps you might like better, but Keylight does the job.
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Pretyy much the Page Down and Ctrl-D alternating can do one heck of a lot of transitions very quickly.
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No. You can’t. Not unless you use “Automate to Sequence” to put the clips on the sequence.
You can use the Page Down key to get to the cut and use Ctrl-d to put the default transition in.
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I don’t believe that there is a way to slip every clip at one time.
Just out of curiosity, how in the world did you get into this predicament?