Steve Garman
Forum Replies Created
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Thank you, Thank You, Thank You, for posting this fix on Mac Permissions. That solved my problem of not being able to run Premiere Pro CC 2015. I think I got 2015 almost a year ago and it has never run because it gave me the “Cannot find capable playback device.” And apparently that wasn’t the reason at all. It just had some permissions that weren’t set right. Thanks again for posting your fix and to Creative Cow for hosting it. You’ve ended a long nightmare for me that (2) hours long sessions with Adobe support in India could never solve.
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Actually the correct error point is when PP says it’s trying to load this: “loading importer Quicktime bundle.” It makes Quicktime look like the culprit somehow. Couldn’t correct my post so had to correct this way.
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You’re right! The betaSP is all interlaced. Client wants progressive and I’ve been doing ProRes 422 transfers for them that they loved until some “expert” told them that the standard for all archiving is JPEG2000. I think he really meant for stills and not video. I’ve tried compressor and Squeeze Pro 9 with the same results from both- only interlaced output-no matter how hard I tried to force progressive-and audio out of sync in every single case on Mac, Windows, or whatever I have tried. I think they need to give up on this legacy format, that is now 15 years old, and stick with ProRes.
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Dave, do you know if this is an interlaced or progressive format? I’
ve tried it in Sorenson Squeeze but it won’t keep the audio in sync so that’s worthless. Compressor does it but FCP says the final product is lower field and the client wants progressive. Even setting Compressor to progressive doesn’t seem to get it done, I’m guessing the codec just ignores what Compressor is wanting to do. -
Quicktime Pro 7.6.6 (1710)
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I need a license for FCP Studio 3. If you’re not using yours, I like to buy one. I don’t need the software, just the license.
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A consultant who is very engineering savy has suggested DVCPro50. What says the forum?
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Our shop isn’t Panasonic but we have one customer who just bought a P2 camera. He’ll want to drop his cards by (not his whole camera) and let us load them into FCP. We’d like to be able to accommodate him and we don’t have any of the other items you mentioned. We have the small Sony reader that is USB and works perfectly with just the SxS cards.
You’d think Panasonic could at least mimic that solution and therefore help spread the use of P2 cards. By only having high-dollar solutions, they are unconsciously having the opposite effect on the marketplace
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Based on their description, it seems this card is only for older Mac G4’s and G5’s and not MacPro Intel systems. The broken English isn’t mine:
“Work with Power Mac G4 & earlier G5 (OS X10.4 or later). [Macintosh Users: This DEXIS card reader works only if the Macintosh desktop, such as Power Mac G4 and earlier Power Mac G5, has 64-bit PCI expansion slot on Mac’s motherboard. However, most of the newer Mac desktop computers do not have PCI expansion slot on motherboard. If your Mac only has PCI Express (PCIe) expansion slot, please do not purchase this PCI-interface card reader.]” -
Don, If you later on put a card back into the EX1, play the media and capture it directly out of the HD-SDI spigot, will you be getting 4:2:2 and 1920×1080 like you would have gotten out of that same spigot when the camera was live?