Forum Replies Created

Page 51 of 366
  • Steve Eisen

    June 20, 2012 at 1:42 pm in reply to: Exporting DVCProHD Timeline to ProRes Master File

    [Pierpaolo Ferlaino] “Normally I will follow your advice but I’m looking to a faster way to do the job”

    You’re going to have to be patient. In the long run, this is the fastest way to achieve what you want. Correct workflow is important.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • Steve Eisen

    June 19, 2012 at 10:41 pm in reply to: P2 driver issue

    P2 cards mount fine with my PCD35 and camera in Lion 10.7.3. I’m using ShotPut Pro v4.1.4

    I do have a problem with P2 Formatter. It will crash if I insert a P2 card. It only works in Snow Leopard for me.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • Steve Eisen

    June 19, 2012 at 7:44 pm in reply to: editing flv in fcp with perian plugin

    Try DV NTSC 720×480 or ProRes 720×486.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • Steve Eisen

    June 19, 2012 at 5:41 pm in reply to: FCP-X on a 2008 Mac Pro

    Depends on which codecs you are editing with. ProRes works perfectly fine. HDV or h.264 is like walking in cement.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • Steve Eisen

    June 19, 2012 at 3:06 pm in reply to: PAL to NTSC in FCP, Compressor or iDVD?

    [Geoff Bell] “What are my options to convert my PAL footage into NTSC and at what stage should I do it?”
    After you finished editing your sequence in PAL.

    You need to Convert from Pal to NTSC. Compressor can do that. For $99, Nattress plugin can also do the conversion.
    https://www.nattress.com/Products/standardsconversion/standardsconversion.htm

    The only high definition DVD option is Blu-ray.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • Steve Eisen

    June 19, 2012 at 3:00 pm in reply to: Change the media offline warning image?

    You would need an SDK and it’s not available.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • [Diego Andres Delfino] “The video in question is in NTSC CCIR 601, H.264 codec, 873×480, 23.98 fps”

    Your sequence and footage needs to be an FCP friendly editing codec. ProRes is what you want to convert your clips to.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • [Shane Ross] “Does the UltraStudio cross convert? I couldn’t find info on that. If it does, GREAT!”

    I’ve never used it. But the BM says the UltaStudio Pro and 3D do. The Express only cross converts 720 to 1080 during capture.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • Steve Eisen

    June 18, 2012 at 9:45 pm in reply to: P2 clip ingest difficulties

    [Grant Peacock] “Your approach – focusing on the spanned clips issue, would perhaps also explain the ‘?’ status in the thumbnail view in the camera, which I also tried using as a playback/transfer device (but being an HPX-500, I also figured it may be precluded from playing back anything in AVC-Intra).”

    The HPX-500 does not playback AVC-Intra. You will need the HPG-20, HPX370 or HPX250. Any P2 card reader will also work.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • Steve Eisen

    June 18, 2012 at 9:39 pm in reply to: Focus Enhancements FS-100 and QT

    Phil you need to have the codecs installed in order to see them. Sell your FS-100 and invest in P2 cards. Premiere will see the MXFs from the P2 cards natively.

    The only work around I can think of is to use the files on a Mac with FCP.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

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