Forum Replies Created

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  • Steve D

    September 14, 2005 at 5:16 am in reply to: Imagineer Monet

    Synth eyes is one of the demos that I have, but haven’t messed around with much yet. It seems to be very complicated (to me anyway) I spent about an hour with it, and didn’t have a clue what I was doing. I like software that makes a fair amount of sense naturally, before I have to read the instructions. All the reviews rave about it. I think it’s probably overkill for what I’d use it for…….thanks guy’s.

    Steve D

  • Steve D

    July 18, 2005 at 3:24 am in reply to: Audio Mixing interfaces

    I’m not positive, but I don’t think Ppro supports midi control numbers.

  • Steve D

    July 9, 2005 at 4:40 am in reply to: teleporting effect help

    This might help you get started or might even be what you’re looking for.

    https://www.mediacollege.com/video/editing/

    Steve D

  • Steve D

    June 19, 2005 at 2:34 am in reply to: Audio Caputre

    The easiest way would be to open (extratct) the audio into Auditon, Sound Forge or almost any audio editor and save the left and right ch. as seperate mono tracks, then import them back into Ppro. The whole deal would take less than 1 minute to do.

    Doesn’t Premiere have a channel mixer in the audio FX section…I can’t remember.

    Steve D

  • [John Frey] “Couldn’t find the patch on the Adobe Site under P.Pro. Can you direct me to a better location?”

    I couldn’t find it from the Adobe site either..turns out, that it’s on the Main Concept site, good thing I saved it.

    https://www.mainconcept.com/adobemedia/downloads.html

  • Steve D

    June 14, 2005 at 6:35 pm in reply to: Alpha channel help

    Thanks, that’s good information to know. However, I did find out what was causing my particular problem. Out of the hundreds of emitter’s that there are to choose from, I chose the few emitter’s to experiment with that DON’T respond to the masking effect well.

    I discovered this by choosing the robot pic included with PI that was used in the Help section to demonstrate the mask emitter’s effect, and it didn’t work either! Hmmm, well, long story short, the Blue, Watery, Dreamy emitter effect that I was using, seemed to just float over the image over-riding any definition, making it impossible to see the effect. I switched to a fire emitter, and BAM! most of my pics worked fine. It seems that the masking emitter effect only works well with certain emitters.

    Again, thanks for the Photoshop info., that’s very helpful to me.

    Steve D

  • I was getting error messages (out of memory etc.,) burning to DVD from the timeline, and other weird things also. There is an upgrade (patch, what ever)on the Adobe site that you can download (it might help)it cured this problem for me…I can burn eveything great now.

    Steve D

  • Steve D

    June 14, 2005 at 4:22 am in reply to: VST plug-in support, Sound Forge vs. Audition

    Firstly, Sound Forge is an interleaved (stereo) or mono waveform editor only (a very good one), Audition is 128 tracks, and has exceptional noise reduction, and spectral noise elimination features.. Audition supports VST, and direct X, and you can even create your own music backgrounds (I know this makes it sound toy like, but it’s a very safisticated looping program). A VST plug-in is basically an effect, Sound Forge is an application, so I’m not sure what you mean by SF being a VST plug-in.
    Anyway, I have both, and rarely fire up Sound Forge except to use some of it’s effects that I like. As far as an all around audio application to use with PPRO, it’s Audition all the way (in my opinion).

    Steve D

  • Steve D

    June 9, 2005 at 10:17 pm in reply to: Red Giant plugins

    Why does it take so long to render? It certainly doesn’t look like film (maybe the color saturation of an old 16mm)I easily get similar results with combining filtering effects. What am I not getting here?

    Steve D

  • Steve D

    June 3, 2005 at 8:21 pm in reply to: Creating thought bubbles with images inside

    It’s just a thought, but how about placing the playhead (or whatever you call it in a video editor) on a blank section of the time line, then create a new tiltle (F9 I think) choose an elipse shape and make it almost full frame in size, then save as the bubble.

    Next, put the bubble in the time line and move it (keyframe) to track the girls head, blur the edges or whatever, then cut, and paste it to a new sequence. Now, nest the new sequence back to the original sequence, we are now using it as a mask, and you should be able to take it from there. You can gradually make the bubble larger because we made it large to begin with so it should look ok. Or you could use a wavy video effect, and use crop (this would be real easy) but the bubble would be square..just some ideas, I hope they help.

    Steve D

    Steve D

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