Steve Cornell
Forum Replies Created
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Steve Cornell
March 14, 2019 at 7:01 pm in reply to: sequence timecode needs to match what clients seeLove the idea behind frame.io and seems simple enough. However, we tested vimeo’s timecode notes with our clients and believe it or not, they couldn’t wrap their heads around it so out of frustration or intimidation, they ended up returning to emails with incoherent notes in them.
Yep.
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Steve Cornell
March 14, 2019 at 3:50 pm in reply to: sequence timecode needs to match what clients seeThank you Shane, that works for me. I posed the same question to level 2 Adobe support and they had no solution.
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Thanks for the help. I was leaning towards sourcing bells and compositing them. I silhouetted the bells hoping that replacing or animating them would be dare I say, easier but the stock footage option for bells isn’t looking to good.
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Steve Cornell
July 3, 2016 at 2:43 pm in reply to: c100 avchd files won’t import in PP CC 2015.2 on new mac with El capitanHi Ann,
I hesitantly installed the latest PP CC 2015.3 and import works on this version. My current theory is that this is a new machine and since I used time-machine to install my former system, PP somehow got corrupted.I wanted to do a fresh install of V 2015.2 but couldn’t find it the creative cloud app? All I found was uninstall.
thanks.
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Steve Cornell
July 31, 2012 at 3:10 pm in reply to: Keyboard shortcut to quickly zoom into audio waveform in source panelThanks Mark. I mapped Cmd+G to gain. That’s a time saver.
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Steve Cornell
July 31, 2012 at 3:05 pm in reply to: Keyboard shortcut to quickly zoom into audio waveform in source panelNo, didn’t work. I tried ‘shift’ + as well. Anyway to map a keyboard shortcut to this ?
Also, if I double click a clip from my sequence timeline and load it into the Source panel, zooming out reveals much more than the wave form I’ve already cut. Its showing me the entire waveform from the entire original clip I imported into to the project. At this point, I’ve made my cuts and only want to see from the in to the out point and nothing more. Anyway to do this ?
thanks.
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So what’s the solution in 5.5? Coming from FCP, my playhead always snaps to the closest cut or beginning/end of clip.
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Export PROREs from FCP. Open that file in QT and export for QT movie using the highest settings I can get. 80,000 kbit/sec H.264 multi-pass// key frame every 24 even though its 30P footage.
I then import this beautiful and clean footage into iDVD and letting the asset encoder destroy the quality.
I’ve also tried a 1280×720 version that looks a “little” bit cleaner after burning onto a SD DVD but again nothing like the original.
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Steve Cornell
June 16, 2011 at 1:50 pm in reply to: why is toast and iDVD reducing the quality of my short when there’s plenty of room on the disc ?Noah,
I understand what you’re saying. How about dual layer for a 2.5 minute clip? Will that allow me a higher bit rate or is that just for more content? -
Steve Cornell
June 15, 2011 at 2:58 pm in reply to: why is toast and iDVD reducing the quality of my short when there’s plenty of room on the disc ?With DVDSP, can I push the bitrate higher ? I haven’t found any tutorials on this.