[Simon Ubsdell]

Oh, and what are you doing with your transform?

You will find it a lot less confusing if you use the transform options on the Merge node.

Simon Ubsdell
tokyo productions
hawaiki

[Simon Ubsdell]

Here’s a sample flag project that might help.

10910_flag.002.motn.zip

Simon Ubsdell
tokyo productions
hawaiki

[Simon Ubsdell]

Yes, I saw the framegrab, thanks.

Without knowing the frame sizes of your background and your foreground images and your desired output image I can’t be more precise.

From what I can see your background image is 1024×520, is that right?

What is the frame size of your foreground image?

What is the frame size or your final output?

Thanks.

Simon Ubsdell
tokyo productions
hawaiki

[Simon Ubsdell]

The scale of your comp (i.e frame size) at any one time is determined by the background image. In that sense Fusion is completely unlike Ae.

Without seeing more of your flow I can’t say what’s gone wrong here, but that is the answer to your question.

Maybe post your composition here so we can advise more specifically?

Simon Ubsdell
tokyo productions
hawaiki

[Simon Ubsdell]

This video explains how to do it:

https://www.youtube.com/watch?v=uYvxxp44VEY

The option he shows is how to map the left and right arrow keys to the jog wheel which is not exactly what I wanted, so I mapped Shift+J and Shift+L instead.

This blogpost also helps:

https://zero2infinitymedia.wordpress.com/2011/05/19/euphonix-mc-transport-in-premiere-pro-cs-5-5/

Simon Ubsdell
tokyo productions
hawaiki

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[Simon Ubsdell]

Sorry, I didn’t understand your original question.

The answer is that you can’t really use an EDL to reference another cut sequence.

One thing you could do is make a new sequence containing the movie of your original Semantic_Edit_v999, and then import the EDL and add the resulting sequence on a video layer above. That way you would be able to see all the edit information from the EDL sequence.

Simon Ubsdell
tokyo productions
hawaiki

[Simon Ubsdell]

If you got to File/Import and then select your EDL, Premiere will create a sequence automatically.

You may or may not need to relink your media.

Simon Ubsdell
tokyo productions
hawaiki

[Simon Ubsdell]

3D tracking with green screens is always a bit problematic since the depth information of the scene is almost entirely lacking, which is why you really need tracking markers placed at varying depths from the camera for the best results. If the tracking marks are only on the green screen backing itself there is almost no parallax to speak of.

You’ve already noticed that you can get a track off things like your trashcan which are not on the same plane as the backing. It’s pretty easy to set up depth markers, and typically ping pong balls mounted on sticks work well.

You might also ask yourself if you really need 3D tracking for your project and whether you can make do with (Mocha) planar tracking, which would make life a lot easier.

Simon Ubsdell
tokyo productions
hawaiki

[Simon Ubsdell]

Apologies, wrong forum – misread this as a Premiere query where this functionality does apply.

Simon Ubsdell
tokyo productions
hawaiki

[Simon Ubsdell]

Double-click any bin to open it in its own floating panel.

Use Undock Panel from the menu of any tab to create a floating panel for that tab.

Simon Ubsdell
tokyo productions
hawaiki