Forum Replies Created

Page 238 of 285
  • Simon Ubsdell

    September 19, 2011 at 8:25 pm in reply to: Selecting all clips after click point.

    [Craig Seeman] “Secondary storylies are horizontally related as is the primary storyline. Basically if one can create a secondary storyline a-priori as it were (before clips are added) it would solve an issue.”

    Fair enough – I misunderstood what you were asking for. This would be a very welcome improvement.

    [Craig Seeman] “As to the row being illusory, try selecting two Connected Clips, one on top of the other, and try creating a Secondary Storyline . . . beep . . . can’t be done. Clips displayed on the same row can become a secondary storyline and those that aren’t, can’t.”

    Hmmm – I think it’s a bit more complicated than that. You can for example select two connected clips on different “rows” that do not overlap and make them into a secondary storyline, so I think there might be some arbitrary limitation on connected clips that overlap vertically. If what you are suggesting were true, then FCPX has effectively implemented “tracks” but made them inaccessible to the user which would be ironic to say the least 😉

    Simon Ubsdell
    Director/Editor/Writer
    http://www.tokyo-uk.com

  • Simon Ubsdell

    September 19, 2011 at 7:59 pm in reply to: Selecting all clips after click point.

    [Craig Seeman] “David’s comment strikes to the point. Although he seems to say multiple primary storylines but, ultimately for me, it’s single keystroke creation of a secondary storyline with all the features of a primary storyline.”

    I think David’s comment is a very interesting one – and if you can think of scenarios where you need one secondary storyline to act like a primary one, then I’m sure there will be other editors who can conceive of the need for an unlimited number of storylines that act the same way. In a sense it’s odd that this isn’t already implemented – what’s so special about two as against ten or twenty or a hundred?

    Simon Ubsdell
    Director/Editor/Writer
    http://www.tokyo-uk.com

  • Simon Ubsdell

    September 19, 2011 at 7:56 pm in reply to: Selecting all clips after click point.

    [Craig Seeman] “just make the whole row a Secondary Storyline”

    Does the notion of a “row” actually make sense of how the underlying architecture works? Does FCPX know that Connected Clips that happen not to overlap (and hence make an additional “row”) are in any way related? Isn’t the appearance of a “row” soemthing of an illusion in that the interconnection is all vertical rather than horizontal?

    I’m not saying I disagree with what you’re asking for – I just wonder whether it doesn’t go against the grain of how FCPX is built …

    Simon Ubsdell
    Director/Editor/Writer
    http://www.tokyo-uk.com

  • Simon Ubsdell

    September 19, 2011 at 6:18 pm in reply to: Selecting all clips after click point.

    [Craig Seeman] “If clips are initially far apart or if there’s a large number of connected clips, having to select them all is awkward.”

    I’m sure there’s a reason but I am wondering what kind of editing scenario would require you to make a secondary storyline comprised of clips that are a substantial distance apart.

    Simon Ubsdell
    Director/Editor/Writer
    http://www.tokyo-uk.com

  • Simon Ubsdell

    September 19, 2011 at 4:49 pm in reply to: Audio Dissolve / Effect Question

    No need to go messing with the blade tool. Just drag over the area where you want the music to be louder using the range tool (R) and then drag the audio keyframe overlay up till you get the loudness you want.

    Simon Ubsdell
    Director/Editor/Writer
    http://www.tokyo-uk.com

  • Simon Ubsdell

    September 13, 2011 at 10:53 am in reply to: FCP X Downloadable Effects Archive

    Quite incredible – I knew you’d made a lot but that list is a jaw-dropper!

    Simon Ubsdell
    Director/Editor/Writer
    http://www.tokyo-uk.com

  • Simon Ubsdell

    September 9, 2011 at 6:28 pm in reply to: A new name for the application

    [John Mendelsohn] “In TKY Adjustable Frame, is it my imagination, or is it not possible to alter the proportions of the bounding box?”

    You want to be using the Mask Scale controls for this – or better still check out Brendan Gibbons’ brilliant new PIP template here:

    https://forums.creativecow.net/readpost/344/3676

    Simon Ubsdell
    Director/Editor/Writer
    http://www.tokyo-uk.com

  • Simon Ubsdell

    September 6, 2011 at 6:27 pm in reply to: Editing Transitions in FCPX

    The Fade to Color Transition has controls for Midpoint, Hold and Color – select the transition and go the the Inspector to find them.

    Simon Ubsdell
    Director/Editor/Writer
    http://www.tokyo-uk.com

  • Simon Ubsdell

    September 6, 2011 at 5:38 pm in reply to: Outlining, drop-shadowing clip within-a-clip

    Put the whole folder on, e.g. in the case of the example I gave you put in the unzipped folder which will be called Adjustable Frame V3. As I said before put it on your User/Movies/Motion Templates/Effects folder (preferably make a new folder inside that called TKY Effects to differentiate it from the built-in ones but this is not strictly necessary).

    When installing 3rd party “effects”, make sure you put Effects/Transitions/Generators in the appropriate folders.

    Simon Ubsdell
    Director/Editor/Writer
    http://www.tokyo-uk.com

  • Simon Ubsdell

    September 6, 2011 at 2:50 pm in reply to: Trouble with Titles

    Drag over the section of text you want to change (point size etc.) in the viewer and you will be able to affect just that portion.

    Simon Ubsdell
    Director/Editor/Writer
    http://www.tokyo-uk.com

Page 238 of 285

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy