[Sherwood Ball]

Ah….Poetic license.
I come from a record and commercial production audio background, but also
make films.

I directed a feature film called, Love.com, back in the days of lo-speed
internet and the clicking of a mouse was just too passive, but we focused on
the graphics on the screen. FBI monitoring the entire internet on one screen. Ha! Put the “fear of god” into the lamen. NOT!
’98-’99 www was still a brave new world.

Now in the final stages of a documentary where much of the interview footage
was intended for research for a theatrical screenplay, but the true story
was more interesting than the factional screenplay.

Can’t really loop an elder in Oklahoma.
I’ll do some ducking around her vocal waveform and then fill in another
track of ambience to mask the ambient level changes.

All seriousness aside, ha!
I love that phrase.
A visual graphic based paint program where ambient frequencies..e.g.
external voices, spikey hits that run parallel to the dialog
could be painted out. Obviously the interface of painting out dif colored
audio randomity would be the easy part of creating such a program.

Is there a high end theatrical app from Dolby or someone?

Thnx.

[Sherwood Ball]

Very funny.

Common sense dictates that if there are two sounds at the same time,
filtering and phasing would still be a difficult if not impossible task.

I was hoping that the CIA or FBI would have some fabulous algorhythm
that we don’t know about. Ha!!!

Polishing proverbial turds.
Get it right in the first place. ;-o

G5 Dual 2.5 GHz
6G Ram OSX 4.8
Sata drives
Final Cut Studio 5.1.1, Logic Audio 7.1
PS CS2, AE CS2

[Sherwood Ball]

I guess I could start creating my text layers, lower thirds now…..

G5 Dual 2.5 GHz
6G Ram OSX 4.8
Sata drives
Final Cut Studio 5.1.1, Logic Audio 7.1
PS CS2, AE CS2

[Sherwood Ball]

What about my AE vid clips I created?

Can I just re-render at higher rez?

Thnx.

G5 Dual 2.5 GHz
6G Ram OSX 4.8
Sata drives
Final Cut Studio 5.1.1, Logic Audio 7.1
PS CS2, AE CS2

[Sherwood Ball]

Thank you for sharing with us.

The festival requirement for digital projection is HDCam/1080/60i.
Whaddaryagonnado?

Stereo will have to do at this point.

I could output some of the ambience, explosions, etc to dif audio outputs
during eventual HD layback……. good idea.

THNX.

G5 Dual 2.5 GHz
6G Ram OSX 4.8
Sata drives
Final Cut Studio 5.1.1, Logic Audio 7.1
PS CS2, AE CS2

[Sherwood Ball]

YIKES!

[Sherwood Ball]

I did my original output as uncompressed QT’s.
Never laid back to tape.

There are twelve uncompressed/lossless QT’s (DV_NTSC_48kHzStereo) that make up the total feature.

Should I re-export these QT’s as a dif rez?

Maybe do a test at the original native output and then with a slightly
larger rez with the Terraex……

Thnx

G5 Dual 2.5 GHz
6G Ram OSX 4.8
Sata drives
Final Cut Studio 5.1.1, Logic Audio 7.1
PS CS2, AE CS2

[Sherwood Ball]

I never said anything about surround or audio problems.
I’m uprezzing from SD to HD in stereo.

Shane’s suggestions are sound.
I will see about doing a test with the Terrazino.

Thnx.

[Sherwood Ball]

I’ll go with your advice.
Thank you much!!!!!!

G5 Dual 2.5 GHz
4G Ram OSX4.6
Sata drives
Final Cut Studio 5.1.1, Logic Audio 7.1
PS CS2, AE CS2

[Sherwood Ball]

Several images are very low rez vintage photographs, so blurring
wouldn’t work on those.

I have phutz’d with the dif de-interlace and flicker filters already.
Helps but still a distraction.

Is there something I can do in AE?
Export the elements and recreate the movie and then reimport?

G5 Dual 2.5 GHz
4G Ram OSX4.6
Sata drives
Final Cut Studio 5.1.1, Logic Audio 7.1
PS CS2, AE CS2