[Serge Hamad]

Hi Dave,

I think that Invigorator tried unsuccessfully to alter your prefs file after you edited some new values in the user prefs menu.

I would suggest you to have your serial # at hand, delete the prefs file and restart AE.

I hope this may help.

Salut.
Serge

[Serge Hamad]

Hey dude,

Should be there this week or latest on Monday from what John at the post office promissed.

Salut.
Serge

[Serge Hamad]

[RoRK] “Now all you need is a haircut. ;-)”

Roland. Why don’t you sing Mylenium that song? You know, “Lean your head on my shoooulder” Common! Share a little of your hair:-)

Salut buddy.
Serge

[Serge Hamad]

[RoRK] “Now all you need is a haircut. ;-)”

Roland. Why don’t you sing Mylenium that song? You know, “Lean your head on my shoooulder” Common! Share a little of your hair:-)

Salut buddy.
Serge

[Serge Hamad]

Salut Mylenium,

Funny! I recently was telling Mylenium that he belongs in my eyes to the AE Co-leaders. Here we go!

Welcome on board.

Salut.
Serge

[Serge Hamad]

Salut Mylenium,

Funny! I recently was telling Mylenium that he belongs in my eyes to the AE Co-leaders. Here we go!

Welcome on board.

Salut.
Serge

[Serge Hamad]

Hey Chris,

I wish you all the very best with your job. We will miss your posts a lot!!! So visit us from time to time.

You are a heck of an artist my friend. Good luck.

Salut.
Serge

[Serge Hamad]

Pas mal du tout!

Au plaisir.
Serge

[Serge Hamad]

Hey,

I am not familiar with particular but from what I have seen, it also uses the AE camera. Therefore, there is no need to create the plane in Invigorator as I previously suggested as both plug-ins can share the ae camera without any conflict.

To get the ball look as it is partly in the grass, all you need to do once you are done with your camera animation is to duplicate your Particular layer, precomp it, copy your animated camera and paste it inside of your precomp. This step will ensure that your duplicate would be sync.

Now, move the precomp in your timeline so you sandwich your ball with grass and draw a feathered mask on the precomp to eliminate the grass from the top part of your ball and animate this mask to follow the ball.

Salut.
Serge

“InvigoMany” Available here:
https://www.nyc-visual.com

[Serge Hamad]

Hey Justin,

The grass would always be flat in AE. The most important is to avoid a frontal camera perspective. Best would be a top view.

Here is an example that goes in between:
https://www.nyc-visual.com/on_the_field.mov

I didn’t care about creating a good-looking grass or animation so bear with me.

Salut.
Serge