Sascha Haber
Forum Replies Created
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Kind of.. repeats or drops frame only.
But with OFX on the way the cream would be to get in a fps number and then Twixtor/Kronos or Speedo to the real thing.A slice of color…
DaVinci 8.0.1 OSX 10.7
MacPro 5.1 2×2,4 24GB
RAID0 8TB eSata 6TB
GTX 470 / GT 120
Extreme 3D+ WAVE -
The other reason could be that there is animation on the window and you try to change it in-between two key-frames.
A slice of color…
DaVinci 8.0.1 OSX 10.7
MacPro 5.1 2×2,4 24GB
RAID0 8TB eSata 6TB
GTX 470 / GT 120
Extreme 3D+ WAVE -
I will do some real world benchmarks tomorrow.
I just switched from a 1×570 to a 2×570 system and I cant feel ANY difference in my tree.
Not in playback or render speed.
Maybe in nodes numbers, not in fps.Funny.
A slice of color…
DaVinci 8.0.1 OSX 10.7
MacPro 5.1 2×2,4 24GB
RAID0 8TB eSata 6TB
GTX 470 / GT 120
Extreme 3D+ WAVE -
And even more important, you should add source TC and clip name to the image.
Nothing worse than a project without and edit assistant and no visual reference in the offline.But yeah, audio in render is on my top priority list.
Please BM, make it happen soon.A slice of color…
DaVinci 8.0.1 OSX 10.7
MacPro 5.1 2×2,4 24GB
RAID0 8TB eSata 6TB
GTX 470 / GT 120
Extreme 3D+ WAVE -
sweet 🙂
A slice of color…
DaVinci 8.0.1 OSX 10.7
MacPro 5.1 2×2,4 24GB
RAID0 8TB eSata 6TB
GTX 470 / GT 120
Extreme 3D+ WAVE -
I agree..strongly 🙂
But I would be happy is the transport controls on the Wave would work in the render page for now.A slice of color…
DaVinci 8.0.1 OSX 10.7
MacPro 5.1 2×2,4 24GB
RAID0 8TB eSata 6TB
GTX 470 / GT 120
Extreme 3D+ WAVE -
Well, I did two music videos and a dokumentary using remote and it was just a breeze.
I had help setting up a dyndns, the ports and a VPN connection, because thats what you really need to make it easy for your client.
I was lucky the client had an Apple Cinema display which I use as my UI screen too, so we had the exact same monitor which is key imho.
Either that or you reaaally need to be sure about each others calibration setup.
We media was Red in one case and Alexa in the other.
They sent me the disk with the footage and EDLs to online to.
Becaue the finishing was done in a DS later, I had 5 or 6 EDLs, one with the main program and the others with picture in picture, speed changes, and so on.
I used Skype on the same computer, so did they, and mic only is the key.You don’t need the video, you want their attention on the screen.
I asked them to stay in the Viewer to get full screen, but you can also modify the Color screen by moving the bars to the edge.
The session lasted for three hours to setup looks , then I was on my own the rest of the day.
On the second day I presented the show and we did fine tuning.
Besides from running flawlessly, the most impressing thing for the client was that after they approved the grading , they could render at their side and we had no shipping cost and delay.
I love this feature..A slice of color…
DaVinci 8.0.1 OSX 10.7
MacPro 5.1 2×2,4 24GB
RAID0 8TB eSata 6TB
GTX 470 / GT 120
Extreme 3D+ WAVE -
it is. you need to set up iVpn and a dyndns
A slice of color…
DaVinci 8.0.1 OSX 10.7
MacPro 5.1 2×2,4 24GB
RAID0 8TB eSata 6TB
GTX 470 / GT 120
Extreme 3D+ WAVE -
I had loads of fun with My SEGA Dreamcast back in the days 😀
I say , get yourself a new boss who understands the nature of your work.
With all those noobs running around with cameras tight now, you need to have at least one constant in the pipeline.A slice of color…
DaVinci 8.0.1 OSX 10.7
MacPro 5.1 2×2,4 24GB
RAID0 8TB eSata 6TB
GTX 470 / GT 120
Extreme 3D+ WAVE -
Not on my list…
I want to get proper animation curves first.A slice of color…
DaVinci 8.0.1 OSX 10.7
MacPro 5.1 2×2,4 24GB
RAID0 8TB eSata 6TB
GTX 470 / GT 120
Extreme 3D+ WAVE