Forum Replies Created

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  • [Josh Evans] “1. The Video Cards…
    We do want dual display, but what is the real difference between the GeForce GT 120 512MB and the ATI Radeon HD 4870 512MB ?? “

    I’d definitely go with the 4870. It’s a much better card, especially for Apple apps.

    [Josh Evans] “Why is there no option to have 2 X ATI ? Does it take up more than one slot or something? And can it do dual display if its alone? “

    Currently, having two display cards causes more problems than it’s worth. Just run both monitors off of one card.

    [Josh Evans] “2. Quad Core Vs. 8 Core. OK of course 8 Core is going to be way better, but we just wanted to see some kind of benchmark i.e. for Rendering times etc. in FCP and Motion. Does anyone know of any online? “

    The big advantages with the 8-core is first, obvious, but more processors and second, more RAM. If I were going to spend the money, I’d go with the 8-core 2.26 with the ATI and AppleCare.

    -Russ

    Russell Lasson
    Universal Post
    Ridgeline Digital Cinema Mastering
    Salt Lake City, UT

  • Russell Lasson

    March 13, 2009 at 5:56 am in reply to: New Mac Pro 2.26 vs previous Mac Pro 3.0

    [Sean ONeil] “By your logic, wouldn’t a 2.7ghz PowerMac G5 be faster than a 2.6ghz Mac Pro? “

    And doesn’t PowerMac suggest it would have… well… more “Power” than a Mac Pro? Just a thought.

    -Russ

    Russell Lasson
    Universal Post
    Ridgeline Digital Cinema Mastering
    Salt Lake City, UT

  • Russell Lasson

    March 12, 2009 at 10:46 pm in reply to: Need help with my settings!

    Your sequence settings should look like this:

    -Russ

    Russell Lasson
    Universal Post
    Ridgeline Digital Cinema Mastering
    Salt Lake City, UT

  • Russell Lasson

    March 12, 2009 at 10:24 pm in reply to: Beta Deck Hookup to FCP – d link card?

    You need a card that can capture component and that has serial deck control. There are several models that will work. You’ll need to get they type of card that will work with your system (pci-x or pci-express), or you can get a firewire option like the AJA IO LA. The two main players in the market are AJA and Blackmagic Design, with Matrox getting into the market again.

    -Russ

    Russell Lasson
    Universal Post
    Ridgeline Digital Cinema Mastering
    Salt Lake City, UT

  • Russell Lasson

    March 12, 2009 at 10:03 pm in reply to: FCP Roadmap

    My hunch is that the next FCS is joined at the hip with Snow Leopard and the new QuickTime. I’m not getting my hopes up about anything until Snow Leopard is out. In my mind Snow Leopard is like a big, secret, cryptic road map:)

    -Russ

    Russell Lasson
    Universal Post
    Ridgeline Digital Cinema Mastering
    Salt Lake City, UT

  • Russell Lasson

    March 11, 2009 at 3:50 pm in reply to: QuickTime w/ viz code

    I usually use the timecode reader or timecode generator filters in the video filters folder. But if I’m just looking for it to match the sequence, then sometimes it works just to export to a file that will keep the timecode track and then just change QuickTime Player’s counter to timecode instead.

    -Russ

    Russell Lasson
    Universal Post
    Ridgeline Digital Cinema Mastering
    Salt Lake City, UT

  • Russell Lasson

    March 11, 2009 at 6:53 am in reply to: sound correction

    Your best bet is to play with eq filters and see if you can filter out the frequency that the noise is coming from. Sometimes this works and other times it effects the dialogue too much.

    -Russ

    Russell Lasson
    Universal Post
    Ridgeline Digital Cinema Mastering
    Salt Lake City, UT

  • Russell Lasson

    March 11, 2009 at 12:09 am in reply to: sound correction

    I’d suggest using SoundTrack Pro to reduce the noise. It’s cool because you can choose a point where all you hear is the noise, then tell it to try to reduce that noise throughout the whole clip.

    -Russ

    Russell Lasson
    Universal Post
    Ridgeline Digital Cinema Mastering
    Salt Lake City, UT

  • Russell Lasson

    March 10, 2009 at 10:54 pm in reply to: Log C 4:4:4

    What is the source that you’re digitizing from? FCP really doesn’t deal with LUTs at all, which is unfortunate. In fact, it doesn’t really deal with 4:4:4 all that well either.

    I can only think of a couple of ways to use LUTs in FCP. One is through DPX files using GlueTools. The other is by using a Kona 3 or BlackMagic card and adding the LUT through the output.

    -Russ

    Russell Lasson
    Universal Post
    Ridgeline Digital Cinema Mastering
    Salt Lake City, UT

  • Russell Lasson

    March 9, 2009 at 8:07 pm in reply to: FCP to PS3

    Don’t know. But in compressor, there is a place under the appleTV settings that says, “Include Dolby 5.1”. Not sure how it works, but you should play with it.

    -Russ

    Russell Lasson
    Universal Post
    Ridgeline Digital Cinema Mastering
    Salt Lake City, UT

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