Forum Replies Created

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  • Roei Tzoref

    June 17, 2017 at 6:05 pm in reply to: Lyric Video Effect Question

    link is not working. also, specify the timecode next time so we can know exactly what you are referring to.

    Roei Tzoref
    After Effects Artist & Instructor
    ♫ Ae Blues Tutorials

  • Roei Tzoref

    June 17, 2017 at 6:04 pm in reply to: Garbage Matte on Tracked Object?

    [Matt Frame] “I have an object (.psd file) that has been given tracking data from Mocha AE that I am needing to add a garbage matte to.

    if it’s transform data, you should apply it to a null and not the object. then parent the object to the null. now you can mask the object as you wish.

    Roei Tzoref
    After Effects Artist & Instructor
    ♫ Ae Blues Tutorials

  • Roei Tzoref

    June 17, 2017 at 6:43 am in reply to: using keylight to key out white background?

    For Hi-Con matte extraction, I find the extract effect suitable. For
    Edges, I use refine soft matte effect. I recommend the keying course by Mark Christiansen on Lynda the shows this technique and more.

    Roei Tzoref
    After Effects Artist & Instructor
    ♫ Ae Blues Tutorials

  • Roei Tzoref

    June 17, 2017 at 6:19 am in reply to: After Effects Using Only Caps

    Whenever you get strange character behavior, you can reset to the default character preferences by clicking at the top right corner of the panel. The hamburger menu has an option to reset.

    Roei Tzoref
    After Effects Artist & Instructor
    ♫ Ae Blues Tutorials

  • You can use keyframes for the parameters: one is at its reset state, the other is at the other state. You can also use an adjustment layer if that suits your workflow. BTW, if its only color correction, you may consider doing this in Premiere rather than after effects. It’s more suited to an editing and minor effects adjustment than AE. Especially when dealing with color correction. You can do it in both apps, but in Premiere you will get a better performance and its color correction tools are more suited for this type of work.

    Roei Tzoref
    After Effects Artist & Instructor
    ♫ Ae Blues Tutorials

  • [JonZ MarZ] “I’m trying to pull a mask from a position, but unfortunately the other keyframes doesn’t follow and keep morphing to the original state of the next keyframe. Is there a way to make the keyframe follows my correction?”

    I think what Op is trying to do is offset path keyframes. like the Uberkey in Mocha.
    https://www.youtube.com/watch?v=uPlvrGcdHqg

    the sad news is that in Ae it’s not possible. you can’t offset path keyframes. even if you select multiple keyframes, only the one your CTI is on top of will change. this is on of Ae’s mask weaknesses. especially for rotoscoping. the classic example is you find out after a while that one of the vertices was not in the right place. you want to select a few keyframes and for the change to affect all of them at the same time.. no dice unfortunately.

    time to go to the feature request page. care to join me? https://www.adobe.com/products/wishform.html

    Roei Tzoref
    After Effects Artist & Instructor
    ♫ Ae Blues Tutorials

  • you can copy the path from brush group to the path in the target brush group.

    Roei Tzoref
    After Effects Artist & Instructor
    ♫ Ae Blues Tutorials

  • Roei Tzoref

    June 16, 2017 at 4:39 pm in reply to: How do I remove a Red X on screen

    [sean rodrigues] “Anyone experienced this and know how to get rid of the red X?

    no offence, but you need to buy the plugin, any other advice given here on how to “hack” the protection of the plugin is bad service to this community.

    Roei Tzoref
    After Effects Artist & Instructor
    ♫ Ae Blues Tutorials

  • try this:
    layer->layer styles->stroke

    Roei Tzoref
    After Effects Artist & Instructor
    ♫ Ae Blues Tutorials

  • [John Mat] “The problem is – the animation is too fast, so i would like to make it slower, or in other words, each frame should last for a couple of frames instead of just one.
    How can i do that?”

    if you are painting on a video, then it has to be in sync with the video. simply adding more frames to each brush will make it slower, but it won’t be in sync with the video anymore…

    having said that, if you want to add more frames to a stroke, press PP to reveal your brush strokes and simply stretch and reorder them like ordinary layers.

    if you need to make each frame last 3 frames you could also use the time stretch feature for the layer and set it to 300% if you want to triple the time it takes for each stroke:

    if it’s before you even start drawing, you could set your frames to last a custom number of frames and not just 1 if you set your duration to custom.

    you might want to change a tool and use photoshop video timeline for your rotoscoping work. it has onion skin and more advanced features. Ae’s paint tool is very limited. here’s one artist who works this way: https://vimeo.com/ruffmercy

    Roei Tzoref
    After Effects Artist & Instructor
    ♫ Ae Blues Tutorials

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