Forum Replies Created

Page 144 of 166
  • Rich Rubasch

    May 21, 2006 at 9:45 pm in reply to: About Image sequence , help please!

    once dragged into the comp, choose Layer-Time Stretch and make it 200%, which will essentially slo mo it to half speed, playing each frame twice.

    Rich Rubasch
    Tilt Media

  • Rich Rubasch

    May 21, 2006 at 2:43 am in reply to: LCD TV/Monitor for editing

    I second Walter….anyone have a PVM 14″ for sale? Walter and I will fight over them!

    Rich Rubasch
    Tilt Media

  • Rich Rubasch

    May 21, 2006 at 2:42 am in reply to: LCD TV/Monitor for editing

    Hey, if the 20″ Sony is too big and boxy, why not just downconvert to the 14″ Sony CRTs. They look spectacular with all SD video and will show you all that chroma crawl or field issues before you send it to tape. They are a rock solid product and you can probably find one for about $400-$500. I would not buy ANY LCD or other flat panel for SD work as a monitor. Stick with a CRT. It is the only monitor that will show you true interlaced video and will reveal field issues right away.

    Lose the 20″ CRT, sell it on ebay, and with the money, buy a 14″ and have money left over.

    Rich Rubasch
    Tilt Media

  • Rich Rubasch

    May 19, 2006 at 1:16 am in reply to: Shooting on Blue Screen vs. Green Screen

    Green is better in almost all digital acquisition, and blue is preferred if captured on film.

    Rich Rubasch
    Tilt Media

  • Rich Rubasch

    May 14, 2006 at 3:17 pm in reply to: WMV VC-1 = WMV10?

    Also in that link, it alludes that VC-1 is an implementation of WM9. It reads to me that they have updated the WM9 codec to support multiple audio channels (5.1 surround?) and segment encoding, which will provide the best results. It also seems to allude to high def encoding and playback on home AV equipment even for delivery via web/satellite etc. Also, the clips can contain metadata so it becomes a more robust delivery for possibly even stations who want to store high quality high def in a small file size.

    Let’s face it…with the game machines ultimately becoming network boxes that can play various media, Microsoft wants to take their codec to the next step in home and broadcast applications.

    In the short term, Windows Media 9 is probably the most compatible codec to use for delivery to corporate clients. If you want to encode to High def, VC-1 is probably the codec of choice for PC users once it becomes established.

    I don’t believe they have blessed VC-1 as WM10…but they could.

    Rich Rubasch
    Tilt Media

  • Rich Rubasch

    May 13, 2006 at 3:13 am in reply to: Avid vs FCP

    I don’t know..haven’t been on an Avid in a while, but it never behaved like yours is behaving. Is your Avid an adrenaline? It also seems that if everyone was having this sluggish behavior there would be more chatter about it…yours seems to have some serious problems.

    If you are looking for a solution to your problem, you should post it on the Avid forum. (I see you did).

    Looks like your Avid software could stand to be reinstalled, and a good look at the system configuration.

    Rich Rubasch
    Tilt Media

  • Rich Rubasch

    May 13, 2006 at 3:05 am in reply to: Insert Edit Issues with DSR-1500

    What version are you running? I have an Aurora Pipe card with RS422 from the card to deck and make frame accurate inserts all the time.

    I am not running 5.1 yet, however.

    Rich Rubasch
    Tilt Media

  • Rich Rubasch

    May 12, 2006 at 2:15 am in reply to: Your thoughts on new/old G5s

    But beef it up to 4 megs, add a second 250 gig SATA internal and you’ll have a rockin machine for quite some time. Make some money with it now and buy another Intel G5 early next year when the second generation machines come out. You’ll be glad you did.

    Rich Rubasch
    Tilt Media

  • I think there is a preference in the User-Library-Preferences folder for the Batch Processor…delete that and try again.

    Rich Rubasch
    Tilt Media

  • Are these reference clips? That might cause the error.

    Rich Rubasch
    Tilt Media

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