Jim Giberti: In the end I had 12 discrete audio tracks under the primary storyline named, Tara, Izzy, Jackie, VO, Music Bed, Wind, Water, etc. Many of these were composite tracks (the actors takes) where applying master EQ and FX is a one step process, faster than bussing on a physical or GUI console. They stay connected to their primary clips until it’s time to buss everything to the master and then they go into their own discrete tracks for FX and bussing to the Master Out