Forum Replies Created

Page 130 of 189
  • Richard Herd

    February 13, 2012 at 11:03 pm in reply to: Is the name clouding our judgement?

    [Bill Davis] “imagine an internal Apple meeting where…”

    I love this kind of speculation.

    I imagine an internal Apple meeting where…

    They said, “We are no longer going to pay licensing fees to third party developers.”

  • Richard Herd

    February 13, 2012 at 10:59 pm in reply to: Is the name clouding our judgement?

    Agreed. I learned the hard way: DO NOT SHOW YOUR CLIENT THE RUSHES…EVER. EVER!!

    Because the vision in their head and what the straight line looks like are too different. I have to “digital one light” and then show client.

    Imagine having that on ingest.

  • Richard Herd

    February 13, 2012 at 10:57 pm in reply to: Is the name clouding our judgement?

    [Michael Aranyshev] “”Real production metadata” is something that comes from the set embedded in the video or audio file, not in email or on the post-it note. The constrain is not the type of information but the medium it is carried on”

    Yes! The keywords associated to clips and compound clips in FXP need to be exportable as actual metadata, not just “in-app keywords” and available as an index file.

    Everybody’s got their wish list? That’s mine.

  • Richard Herd

    February 13, 2012 at 10:33 pm in reply to: Is the name clouding our judgement?

    [Jeremy Garchow] “It’s not about the money, but it’s about the money.”

    Truer words have rarely been posted! The irony and paradox surrounding this app are just awesome.

  • Richard Herd

    February 13, 2012 at 10:20 pm in reply to: Is the name clouding our judgement?

    [Jeremy Garchow] “I am curious as to what “Color Space Override” is,”

    Simple guess: designing custom LUTs (and CDLs) for playback, for example: Shooting Arri S-Log to display as custom LUT.

  • Jim Giberti: In the end I had 12 discrete audio tracks under the primary storyline named, Tara, Izzy, Jackie, VO, Music Bed, Wind, Water, etc. Many of these were composite tracks (the actors takes) where applying master EQ and FX is a one step process, faster than bussing on a physical or GUI console. They stay connected to their primary clips until it’s time to buss everything to the master and then they go into their own discrete tracks for FX and bussing to the Master Out

  • Richard Herd

    February 10, 2012 at 11:52 pm in reply to: Is anyone using FCPX for movie trailers yet?

    [Simon Ubsdell] “the “feel” of actually cutting on the timeline”

    Yep!

  • What?! You mean the part when the app crashes was not part of the design? Who knew!?

  • Handled it better? Better than having us pay $299 to be beta testers? Pretty much genius, really. Without the FCP brand it wouldn’t have happened.

  • It will also save us from our sins!

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