Rene Hazekamp
Forum Replies Created
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So that would mean that they wuld not broadcast any documenary material that was shot between 1930 and 2002, even if it was remastered. Don’t believe it.
What was it that they said about rules and guidelines in Pirates of the Carribbean.?
Okay.
Nonetheless it’s still better to shoot with a good camera in a good codec with ample bandwithRené Hazekamp
or else copy your program to hdcam-sr (the next 10 years no one will notice, if your work is good
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Hmm, yeah maybe Craig was talking about of 4000 hours of disk material.
But then still.
20 XDcam disks cost round U$ 600 dollar, you can easily buy four 500 GB harddisks for that price, store them in 3 different places and keep a managable project or media managed (or whatever you call it) harddrive for yourself and reuse the XD disks. Looks safer and much more convenient to me, but I’am no proxy fan.René Hazekamp
portfolio https://www.renehazekamp.com
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4000 hours, wow. I don’t think you have a storage problem. I think the problem is just viewing the whole bunch. And do you really have 4500 16 GB sxs sticks ? wow again
Or else what kind of backup plan do you have ?René Hazekamp
(as for now 2 sxs 8 GB stick owner)portfolio https://www.renehazekamp.com
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kill those crappy darlings,
sorry but that’s the only wayrene hazekamp
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can you specify the configurations you’re using,
I had my share of bugs in version 6.0.0 but after 6.01
I had no problems with final cut ( color is a different story, butyoucan get it to work)
I just finished five 50 minute programs (prorez hq , SD though)Ren
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nonsense
people have always been to edit on powerbooks, even with fcp 5.0
Ren
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final cut 4 didn’t have subpixel rendering, newer versions have it
Ren
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“There are plenty of clients who may not know how good something can get and just ask for their projects to look their best. If every kid out of film school has these tools there will be a large number of clients who settle for what they think is a properly color corrected project, thinking they are getting the same thing for much less.”
why do want to work for some blind clients ? And if you do , what’s gonna change.
I know some people that earn a living with quarkX. yeah unbelievable, i knowRen
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Most young directors I know see a da Vinci as an intimidating and very expensive all leather espresso bar. Because they can spend so little time in that room (to keep it affordable) and are so depended of this wizard behind the colour wheels it can take them ages before they can discern a good colourist from a mediocre one. It’s a good thing that Colour could change this. And there is no reason to pity the mediocre colourists, there will always be enough work for them as well, they only might be forced to brew their own coffee.
Ren