[Rainer Bergomaz]

Walter,

any idea how to get the info when this new wrapper will be released?

Any blog which I can follow?

Charles

[Rainer Bergomaz]

Deat Walter,

thank you so much. Any idea how to let Adobe know about this bug?

Charles

[Rainer Bergomaz]

Thank you, Dave. As I wrote the bit depth of the project is 16 Bit. And DNxHD HQ (10BIT) export works with trillions of colors. It is only DNxHR where I cannot get HQX or 444????
Please could you try it with your AE?

Thank you
Charles

[Rainer Bergomaz]

Hi Eric,

thank you for answering. But as you suggested I have to record in progressive mode. And this is the problem (I guess).
Gemini is able to record the 240 frames per second 1080p/50 output over 3G. But which kind of signal is coming out of the 3G port if the camera is set to 720p/480 slow motion mode? I guess the output will be 720p/50 or? And as far as I know no external recorder is able up to know to records this? Or am I wrong?

Charles

[Rainer Bergomaz]

Hi Ted,

sorry. But I never worked with US3D. I am recording on 2 x Nanoflashes or Hypershuttles. This works.

But I would be glad if we keep in touch to share knowledge.

Charles

[Rainer Bergomaz]

Michael,

thank’s a lot. That would save a lot of time!

Charles

[Rainer Bergomaz]

The clip names are starting with 20.000 for the left eye (20.001; 20.002….) and the right eye clips are starting with 30.000.
The TC is ascending. But unfortunately the start TC of a stereo pair varies about a few frames. Cause it has been filmed with Nanoflashes that haven’t been in stereo mode. So one or the other recorder started a little bit earlier as the other.

Any ideas???
Thanks
Charles

[Rainer Bergomaz]

It has never been on a Symphony. It comes from MC 5.x. I am using the MC 5.5.3.

???

Charles

[Rainer Bergomaz]

Thanks for the quick reply. Unfortunately I cannot provide you with a hardcopy. I am sitting here at my Broadcasters set. No way to get something out.
But it is wired. Sometimes I get the green spot (the same as with motion clips) and a green line under the clip. Some minutes later the old icon for color correction. I cannot find a rule when I get what.
Any ideas????

Charles

[Rainer Bergomaz]

Brian, thanks for the info.
Did someone ever made a test with a cable splitter? I’ve been told LANC is a bi- directional protocol. The remote gives a command and is waiting for an acknowledgment from the camera. But with two cameras there will come two acknowledgments. Is this right?

Charles