Pol
Forum Replies Created
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That’s to bad…I would buy one in a second. I think it’s the biggest flaw in FCP.
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You can give the clip an extra timecode in FCP, but I forgot how. I’ll look it up if I find some time.
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OK, how do you slomo a clip in motion. I know you can chance the frame rate, but that’s not what I mean. And I suppose there no speed ramping in motion2.
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Yes, I understand why FCP does that. I’v been working on Avid for years and Avid doesn’t chance the reel name after a timecode break. I just want to know if FCP can do the same thing, keeping the reel name after a timecode break.
Thanks
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It isn’t normal that the system needs 4 min to detect a timecode break. It shouldn’t take longer than 30sec.
I’m working on FCP for about a year now and this is unacceptable. The log and capture tool is the weakest tool in FCP (and titling is second).
I can’t see the timecode when capturing, can’t give any description during capture and locating timecode breaks is frustrating slow.There’s still alot of work to be done by the fcp team.
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Right, I tried to do this in the audio mixer (that’s the Avid way) but that didn’t work. I forgot about the modify menu.
Thanks,
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The device of M-audio is called ‘flying cow’.
With Behringer it is the ‘ultramatch’ followed by a number, I guess something like 2496.
There are other options but I forgot how they are called.Good luck
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If you just need analog audio, convert the SPDIF from the BMcard.
http://www.m-audio.com
http://www.behringer.comIf you need 4 channels of audio, you need 2 ot them.
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I need seperate audio because we have a digital maximizer (TC-electronic) with AES input.
I could use a SDI de-embedder but those devices are expensive. -
Thanks,
Not bad….Is there anyone out there that actually uses this device?
No doubt that it will work but they definitely forgot to hire a product designer.