John,
Thank you for your answer. But here you are assuming that most people will view my piece in High Def from a blue ray disc then?
If I want to burn standard definition DVDs that will be viewed either on traditional CRT TVs or LCD high def TV but in Standard form, should I check everything on the Sony monitor PVM 14m4U or still on a LCD then?
If I really want to color correct for High Def viewing, then why not use my Dell 24″ ? Well, it’s not really a pro monitor and kind of tough to calibrate though.
Now how should I send the color bars from vegas into the second display? My CRT on which I do color correction is a secondary display.
Should I just drop the bars generated within vegas on the time line and display the time line so it’s visible in the CRT?
Thanks
Yes, but when I’m going to print a DVD of my film and distribute it or whatever people are going to watch it on their TV, not on a calibrated TV and even less on a calibrated professional Sony monitor. SO I need to find a compromise.
P.
Mike,
everything was well lit and we used the same CRT monitor in production that I use now for editing. Everything looks superb on the CRT sony monitor. It’s on people’s TV that it looks like poop.
Hi Mike,
I’m actually wondering if I should color correct differently for DVD and theatre projection? There is an art house where i live and they will project my film from a DVD.
So from what you said, you were not that satisfied by the look of your piece in a theatre?
How did you acquire the original footage?
Thanks
Phil
I’m using DVD architect, since I edit with Vegas.
OF course I’m rendering to Mpeg 2, that’s mandatory if you’re going to burn a DVD, right? DVD won’t support any other format, correct?
I’ll check those bars again
Thanks
Phil
Actually, since I’m using Vegas it’s probably better to stick to Sony Noise Reduction, maybe actually get Sound Forge since it also contains Sony Noise Reduction
Thanks for your help
Phil