Peter Wiggins
Forum Replies Created
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Have you tried toggling on fixed resolution on the layer?
Peter
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Thats him off my Christmas card list 🙂
No mention of these:-
https://www.idustrialrevolution.com/free/fp1/
Peter
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It will be interesting to see if the problem occurs on the handover of data from FCP to plugins and back or if it is the actual headroom of the plugin itself.
Peter
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Shane you’ve saved me months of agonising as my cheap & quick colour corrector in beta does the same and I was beginning to worry about it 🙂
Peter
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A lot easier to use Motion as it will recognise image sequences, export to whatever you want from there.
Peter
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3 calender dates to watch out for, MacWorld, NAB & WWDC. If something is to be introduced for us editors, its normally at one of those.
https://www.macrumors.com/2007/12/03/steve-jobs-to-give-macworld-2008-keynote/
Peter
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It will always render a 4:3 ratio picture as the anamorphic part is describing how it is displayed. If you want an 16:9 movie for the web etc then enter in custom frame dimensions like 1024 x 576 for PAL when you export.
If going to DVD, leave the movie ‘squished’ and set it as a 16:9 asset in DVDSP. Peoples DVD players will then do all the hard work
Peter
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Simple, send your programme off to a company who can do a Harding test.
Then send the tape & certificate to the broadcaster.Peter
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This might be what you are after:-
https://www.coremelt.com/products/products-for-final-cut-studio/imageflow-fx.html
Peter
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Put your canvas to 100% You will see both fields then.
Peter