Peter O'connell
Forum Replies Created
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Hi you could turn on motion blur for the layer where your mask is and play around with the parameters in the advanced composition settings. If the movement is very vertical or very horizontal you can also maybe get away with unlocking the feather and blurring just the x or y. If neither of these are satisfactory there is a plugin for AE called silhouette which allows you to pull apart points on a mask individually in order to feather them on a point by point basis. If you get close, precompose and paint with black and white while viewing your matte and comp simultaneously in 2 separate windows.
Good Luck
Pete -
Whether you need the cineon converter or not depends on what you are doing to your footage. For output dpx and cin are identical except that the dpx files have info in the header (timecode etc) usually exporting as cin is fine.
What do you need to do to your footage?
Good luck
PetePS: Stu Maschwitz has written alot about cineon workflow in AE. Look around on the net for some of his articles.
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Hi try pulling a luma key with channel mixer or calculations followed by a curves adjustment.
Good Luck
Pete -
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HI the cineon converter allows you to view an approximation of what the DPX files will look like when viewed on the big screen. DPX files contain 1024 levels of gray per channel where black is 95 and white is 685. Everything above 685 clips at white unless you are working in 32 bit.
Are you delivering cineons?
Pete
Sunday; December 17, 2006
4:01 PMbarxseven.com
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Hold down option.
PeteWednesday; December 13, 2006
2:42 PMbarxseven.com
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https://barxseven.com/rotoTutorialMedia/
Enjoy
PeteMonday; December 11, 2006
11:52 AMbarxseven.com
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https://barxseven.com/rotoTutorialMedia/
Enjoy
PeteMonday; December 11, 2006
11:52 AMbarxseven.com