Paul Neumann
20
COW Coins
Forum Replies Created
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Just a few years ago American Express had a huge push to hire English Majors as well as other Liberal Arts applicants. They realized they had a company full of really bright business folks who didn’t know how to talk to each other. There’s a good blog from them about it out there if you can still find it. It was all about “soft” skills for them. Their people didn’t have them. One of the big ones was empathy.
Then I saw this research about how people rated high in empathy were also those that read a lot of fiction. People that could insert themselves into a story. Well, if you draw that line up to fiction (of all kinds) being created by artists, it makes even more sense and it really does take all kinds to make a business work.
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Try toggling the solo on your tracks.
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Build a sequence for each angle keyed on the desired background. Then use those sequences as the clips for your multicam.
So do the keying first with the raw footage then use those sequences as clips.
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File this under “Right back atcha”
Content includes weekly episodic pieces, celebrity interviews, short films, commercials, and 0:30/0:60 promotional spots. Individual must be highly organized with great people skills and highly skilled in Adobe Creative Cloud, specifically Adobe Premiere Pro, Adobe After Effects and Adobe Photoshop. Yep – we are an Adobe shop (…and not converting to Final Cut Pro).
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Make a copy of the clip without (or a different) effect and swap out shots as needed, maybe?
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I use Prelude/AME to make Cineform proxies of all my 4K footage and timecode on the proxies matches the originals every time.
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I recently had to export a 40 minute short in 4 parts because of crashing. Didn’t matter what format I was going out to (ProRes, DNxHD, h.264). I put each segment (hard cuts at the ends) in its own custom sequence (Cineform) for the output format. Then I brought them back in and put them back together in another custom sequence for output. Obviously this was all on a mac, but that may help point to this not being a PC thing.
Try a short Cineform output. I run both mac and windows and it’s fast becoming my go to mastering codec.
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Try nesting the clip then adding the 2nd version of the correction to that nested clip.
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Use an adjustment layer and apply another instance of Lumetri there?
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So everything seems to be pointing to a problem with the drive your footage is on. Can you test it on another machine? It may just be a bad cable. I’ve had that happen more than once. Your computer seems plenty beefy enough for this task.