Forum Replies Created
-
Paul Esteves
March 7, 2015 at 4:15 am in reply to: Is there a way to treat this severe ‘rolling shutter effect’?Yes, if you google gopro jello there should be some plugins. I know one of them works, but for the life of me can’t remember which one I used. And I no longer have it.
-
https://www.youtube.com/watch?v=A15R3VZWeoo This video does something similar. But they’ve built the earth differently to you. But, it may give you some ideas?
Some contents or functionalities here are not available due to your cookie preferences!This happens because the functionality/content marked as “Google Youtube” uses cookies that you choosed to keep disabled. In order to view this content or use this functionality, please enable cookies: click here to open your cookie preferences.
-
https://aescripts.com/plexus/ There are quite a few tutorials on how Plexus works here. The best way to a learn the tool is to learn how it works and then take that knowledge to apply to your specific task. Just learning how to do the 2 things you want is great, but you’ll be back next time you want to do something. Rather, spend the time to learn Plexus and how each feature works, then no matter what you’re hoping to accomplish, you’ll have a great foundation and the rest will just be thinking through how to make it work.
-
Paul Esteves
February 24, 2015 at 11:29 am in reply to: Text Animation with multiple Compositions AE TutorialsI think these 3 tutorials will help you understand it better:
https://www.schoolofmotion.com/neverending-kinetic-type/
https://www.schoolofmotion.com/no-hes-a-rock-biter/
https://www.schoolofmotion.com/lets-finish-this/It takes you through a kinetic typography workflow. How to use precomps with a camera to make it look seemless. Which I think is what you’re trying to achieve.
-
I’m definitely not a pro at expressions, however, from what I can understand, the “random” effect ‘refreshes’ every frame. So, because your footage is 60fps it is changing the glitch effect every frame, which is double the speed of the tutorial. So, you’d have to input hold frames on that random effect to get each frame to hold for longer.
Maybe this can help: https://www.motionscript.com/mastering-expressions/random-1.html
If you have Twitch, is there a reason you aren’t using that to cause the first glitch?
I just tried to make that same glitch effect. On the shape layer that you create that moves up and down. Those random expressions are the problem. If you keyframe the size and position for a 1 second, the glitch effect holds for one second. But because it is random it changes every second. The opacity too. I don’t know enough about expressions to know how to change that, but I’ve figured out that that is the problem.
-
I’m definitely not a pro at expressions, however, from what I can understand, the “random” effect ‘refreshes’ every frame. So, because your footage is 60fps it is changing the glitch effect every frame, which is double the speed of the tutorial. So, you’d have to input hold frames on that random effect to get each frame to hold for longer.
Maybe this can help: https://www.motionscript.com/mastering-expressions/random-1.html
If you have Twitch, is there a reason you aren’t using that to cause the first glitch?
-
I didn’t watch the whole tutorial from start to finish, but jumped around to see what he did. It seems to me like you want to animate your “slider control” to stay on for a longer time if you want the glitch to stay on the screen for longer? That slider control controls when the you see the glitch effect and when you don’t.
-
Check out this tutorial at minute 31: https://www.videocopilot.net/tutorials/the_ring/ Andrew shows how to create a lens flare to rotate around the circle, if that’s what you’re after?
As to the problem with the line. You could make that solid bigger. Or, keep the layer in the correct position (so it fills the whole comp) and just move the optical flare without moving the layer itself.
-
Draw a silhouette of the car, add it on top of the second layer of video, set to “Alpha inverted.” Keyframe the scale.
-
If I understand correctly, a possible solution (pretty sure not the best solution) would be to try this.
Stroke your text with whatever colour you want and have the fill be either white or black. Set the stroke to “All fills over strokes.” Then use “extract” in effects to remove the white or black fill.
Or instead of using the “extract” effect. You can duplicate your text layer and set the bottom layer to Luma inverted.
I think that achieves the goal?