Forum Replies Created

Page 18 of 70
  • Pat Horridge

    December 19, 2018 at 7:56 pm in reply to: Is Pro-Res still an option for archiving?

    Yes it has. There has been big move away from. Propriety solutions.
    VLC player supports it as do a number of others. But you are right it stands outside current main stream solutions.
    But think a second about the wisdom of following a propriety code solution and long term support. Maybe like ProRes and QuickTime.
    This is exactly why the drive to open source is growing.

    Pat Horridge
    Broadcast & Post Consultant, Trainer, Avid Certified Instructor
    Free online Tutorials at VET digital media academy online https://vimeo.com/channels/752951
    pat@vet.co.uk

  • Pat Horridge

    December 19, 2018 at 7:06 pm in reply to: Is Pro-Res still an option for archiving?

    You won’t get direct NLE support.
    Export as SAS and convert outside.
    . MOV is legacy now. So for FFV1 I’d look at MKV.

    Pat Horridge
    Broadcast & Post Consultant, Trainer, Avid Certified Instructor
    Free online Tutorials at VET digital media academy online https://vimeo.com/channels/752951
    pat@vet.co.uk

  • Pat Horridge

    December 19, 2018 at 5:01 pm in reply to: Is Pro-Res still an option for archiving?

    FFMPEG is a command line app that will convert to FFV1 in an MKV wrapper.
    You can get FFMPEG for mac or pc.

    Pat Horridge
    Broadcast & Post Consultant, Trainer, Avid Certified Instructor
    Free online Tutorials at VET digital media academy online https://vimeo.com/channels/752951
    pat@vet.co.uk

  • Pat Horridge

    December 19, 2018 at 8:58 am in reply to: Tape or deck damage?

    Happy to have a conversation. Directly with them. If that helps.
    Find me on linked in or via my https://www.vet.co.uk website.
    Dealing with analogue formats was an area of expertise for me.

    Pat Horridge
    Broadcast & Post Consultant, Trainer, Avid Certified Instructor
    Free online Tutorials at VET digital media academy online https://vimeo.com/channels/752951
    pat@vet.co.uk

  • Pat Horridge

    December 19, 2018 at 8:38 am in reply to: Is Pro-Res still an option for archiving?

    The common thinking is lossless compression of 2:1 and that’s either the J2K propriety route in something like MXF or open source FFV1 in MKV wrapper.
    It’s pretty much accepted that ProRes makes no sense going forward and many are looking at migrating their ProRes archives to FFV1.

    Pat Horridge
    Broadcast & Post Consultant, Trainer, Avid Certified Instructor
    Free online Tutorials at VET digital media academy online https://vimeo.com/channels/752951
    pat@vet.co.uk

  • Pat Horridge

    December 18, 2018 at 6:41 am in reply to: Tape or deck damage?

    Looks like some type of ringing. But impossible to tell what caused it now.
    Sadly too many analogue to digital conversions are being done with little care.

    I’d go the mask route but it’s a shame as it will impact quality.

    Pat Horridge
    Broadcast & Post Consultant, Trainer, Avid Certified Instructor
    Free online Tutorials at VET digital media academy online https://vimeo.com/channels/752951
    pat@vet.co.uk

  • Pat Horridge

    December 17, 2018 at 1:39 pm in reply to: Transcode/Consolidate Multiple Bins

    Its quite common practice to use the Tape.id field (never the tape number) to store the source clips folder name.
    If you then do have to make one large bin of those clip you can sort by tape.id and easily pull them back out in groups.

    Alternatively you can pull up the source file path column heading and use that to sort and sift.

    Pat Horridge
    Broadcast & Post Consultant, Trainer, Avid Certified Instructor
    Free online Tutorials at VET digital media academy online https://vimeo.com/channels/752951
    pat@vet.co.uk

  • Pat Horridge

    December 15, 2018 at 7:42 am in reply to: Transcode/Consolidate Multiple Bins

    Yup background is the answer. Fire off each bin. Reverse selection to now highlight the. New clips and move to new bin. Use it all the time.

    Pat Horridge
    Broadcast & Post Consultant, Trainer, Avid Certified Instructor
    Free online Tutorials at VET digital media academy online https://vimeo.com/channels/752951
    pat@vet.co.uk

  • Pat Horridge

    December 9, 2018 at 9:25 am in reply to: Avid Conform DNx36 to DNxHQx

    Have to say this is a bit of a worry. An Avid conform is a standard process and if you’ve been asked and don’t know that’s a worry.
    Basically take the dnx36 media offline. Workout what sources are needed and AMA link those. Then relink the sequence to those sources.
    Bring in the guide pic and aid and sync check. Then transcode to the required output resolution.

    Pat Horridge
    Broadcast & Post Consultant, Trainer, Avid Certified Instructor
    Free online Tutorials at VET digital media academy online https://vimeo.com/channels/752951
    pat@vet.co.uk

  • And if no mdb database file was created try creating a title in Avid with media creation set to that drive. Then see where that media ended up. Possibly typo in file path.

    Pat Horridge
    Broadcast & Post Consultant, Trainer, Avid Certified Instructor
    Free online Tutorials at VET digital media academy online https://vimeo.com/channels/752951
    pat@vet.co.uk

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