Forum Replies Created

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  • Ola Haldor voll

    April 16, 2012 at 5:42 pm in reply to: Resolve 9

    Not yet.

  • Ola Haldor voll

    April 16, 2012 at 3:02 pm in reply to: Nab 2012
  • Ola Haldor voll

    April 16, 2012 at 11:57 am in reply to: Nab 2012

    Rumored on twitter, BMD holds a press conference 5pm GMT (or so)
    As for others, I suggest you use hash nab2012 on Twitter.

    Smoke 2013 is big news it seems.. And RED 4K projector among other things.

  • If he resizes the timeline from 720p to 1080p, it wouldn’t be a problem as far as I know. Shapes should resize accordingly.

  • In THEORY, it should work, as long as the edit is exactly the same and the filename is the same.

  • Ola Haldor voll

    April 15, 2012 at 12:53 am in reply to: cheap flightcase solution for the Tangent Wave

    Good!

    I’ve been thinking to do something similar with my JL Cooper.

  • Do I understand you correct?
    – You received a single QT file
    – Scene Cut or EDL to split at edit points

    ?

    In theory, you should be able to just replace the file. Give the old one a new name and give the new 1080p file the old file name of the 720p file.

    Resolve won’t know what happened. Go to Config set 1920×1080 as the resolution.

  • I’ve done this before, but it’s not done through a regular render/export.

    I have a second Mac for ScopeBox with a Decklink. I’ve used BMD MediaExpress to record whatever is shown on the video monitor. And there you go – masks, HSL qualifiers+++

  • Ola Haldor voll

    March 30, 2012 at 8:41 pm in reply to: DCI Cinema Suite for Final Touch

    We’re talking tens of thousands of dollars.

  • Ola Haldor voll

    March 30, 2012 at 11:25 am in reply to: DCI Cinema Suite for Final Touch

    Within November I’m sure I’ve upgraded to multiple GPUs. I’m on the JL Cooper panel for now if it matters any.

    On the off-topic; I’m very, very happy with the Autocue. I can adjust about anything and it has a D-cine color space with option to select 6302 Kelvin (which I’m told is the same as the Christie bulb is) along with gamma such as 2.2, 2.35, 2.4, 2.6 and probably a few more steps.

    I’ve set up my monitor with two presets. One for cinema with DL SDI 4:4:4 D-Cine and one for SDI 4:2:2 RGB. Makes it quick to jump from one preset to another if you’re on different projects at the same time.

    There’s no automatic calibration tools, but you can produce black to white in a range of 8-10 steps or so, and red, green, blue screens. According to Russel at Autocue, you connect say, an X-rite on the screen and go through the different shades of gray and read the values in the calibration app on the computer. Then you can adjust the settings in the monitor to the correct values.

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