I found something about fast importing Pro-Res and tried that but it didn’t seem any faster, forgot to try to see if that’s something I can do in the background, so I just went ahead with transcoding. I think the DNx takes less drives space too unless the import shrinks the file size as well.
With both I lose the color the DIT put on it in Resolve. I don’t know the LUT used and some of it was dark so in the interest of trying to get started and cutting I went ahead and I’ll just put a color layer on in the sequence.
I did upgrade. I tried to do it officially since I bought the upgrade in March, but somehow my System ID is lost/unusable so until they fix that I’m running the trial of 8.3.1.
As to audio, the DIT said the audio tc matched the pic tc, and the burn-ins of both are exactly the same, though the burn-ins are the same for the day it was supposed to be different, so I don’t think the audio burn-in is actually reading the sound tc. However, if they jammed sync I figure I can fill in the audio information manually, the sound roll and then copy the start time of the clip into the sound tc column and they should be able to auto conform if needed, right? The audio has remained 24 bit and I have all tracks on each clip so I’m not sure they need to rebuild anyway, I think they could just use the AAF media? The mix tracks were put on the last open tracks rather than always on 1 or 1&2 so I’m just going to cut all tracks over and move the ones I don’t use down to muted audio tracks. So the sound editor will have everything built to go to.
Thanks for the input!