Murray Nelson
Forum Replies Created
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Just curious as to why you would use beats measures etc.?
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Thanks for getting back Steve.
I am using a PC. Can one get Boris Effects for a PC? I suppose I have to go Adobe Premier Pro or something like that to get onto those Plugs. Is there a version of Vegas that will “color match”? -
With a nice board like that you should be recording two discrete channels. If the sound guy can spare an aux channel then you can group some of the rhythm instruments into that because if you have the mix out on the other channel you get some serious discrepancies in levels relative to your rhythm instruments. You can then have a chance to balance your mix later in production.
The mix will be for the house not your camera.
You should use the onscreen level indicators to monitor your gain and yes switch to line levels on the camera. If you have a willing sound man he might accommodate your aux mix and make periodic adjustments for you as you monitor from headphones.
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I am an audio professional so I come from a completely different direction. I recorded the audio from the following on a multitrack audio recording system using isolating transformer splits and synchronized all later. The camera guy walking around was transmitting stable SMPTE time code from an MP3 player split into the camcorder’s audio in and a Sennheiser transmitter. The receiver out was low impedance and the SMPTE signal travelled down the snake to the Front of House where a stationary camera provided house sync to the audio recording system while the smpte was recorded on stationary camera after being jam synced with an Adams Smith Zeta III synchronizer. Later the clips were easy to align and edit and then the audio synchronized to the clips.
More at https://www.youtube.com/picker999
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https://www.aardvarkmultimedia.com
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whats the sampling rate?
if 44.1 then divide by your frame rate to give you samples per frame then changing select to ‘samples’ then just add or subtract to move sound track. -
AA doesn’t like quicktime.
Put the file in as .avi -
Just wondering if there has been any further developments in ‘camera angle’ authoring. I have developed a technique of laying down the exact same audio track into multiple camera angles for upcoming Blue Ray project. I am interested to know if any more info on this is available.
It seems to me that if each video file was the exact same length in frame count one could just switch files while playing just one audio track.
Murray -
Import video file into AA. Then import audio recording and slide it around until you are in sync. Then export.
That is a pretty over simplified answer but its a start. -
Thanks for that Eli I am going to try it out. Another related issue is that you are not able to ‘lock in play only’ like you were able to up to and including AA1.5. This lack of facility contributes to the useless build up of uneeded wav files.
One thing I am curious about. Ever since Adobe took over Cool Edit it appears to be becoming less functional and weird. For example for weirdness “Release ASIO in background” This is the most maddening and apparent useless option Adobe has introduced. Can anyone explain the reason it was written into Adobe Audition 2 + ????