Right below the video you posted people ask him about his video and he explains a lot of how it was done.
Lots of Particular, a bit of Form, some Shine, lots of footage shot of ink in water, and a lot of work.
“Particular was definitely my weapon of choice, I think there isn’t a scene without it. For example all the spherical objects (beat) or the final light tail in space is particular. Form is used as the bottom of the ocean or the cloud layer with the wall of light at the end…The ink paths are actually black water colors pouring down on wet paper laid on glass and shot on camera. Then positioned and warped and timed accordingly to the music…The explosions are again shot on camera. Looking at one side of an aquarium filled with black water (lots of ink in it) and then I almost hit the glass from inside with a brush dipped in white color. The fast movement towards and back from the glass makes that kind of “explosion” effect in the water.”
– The Great Szalam
(The ‘Great’ stands for ‘Not So Great, in fact, Extremely Humble’)
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