Forum Replies Created

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  • Michael Locke

    January 12, 2020 at 2:55 am in reply to: End to End Prores workflow Question

    As a GH3/4 user to P4K, I can say since it comes with a copy of Resolve Pro with the camera, BRAW is your friend. Smaller sizes recording than ProRes HQ (best for 4K+ capture), and as Brad says, better highlight recovery with 12bit Braw. Easy to add a LUT for quick export, or play with as you please.
    For TB/$, the Samsung T5/7 is your best recording media, and SmallRig is my cage of choice. Hope your using a Metabones Speed Booster with full frame glass for best results!

    Michael E Locke

    Roxie Summit Productions, LLC

  • Totally agree, as I am fighting with my 2018 Mac mini to return to the operating system it shipped with (Mojave!). That T2 security is great, but say goodbye to a bootable external installer. The first “workaround” I used led to a continuous reboot, so I’m not sure what to recommend other than DON’T go to Catalina! I have no more CS6 period. Apple love/hate relationship…

    Michael E Locke

    Roxie Summit Productions, LLC

  • Michael Locke

    May 5, 2018 at 7:12 am in reply to: Reconsidering FCPX in Hollywood

    Look,

    You guys are all legends, and I’ve yet exist, but the word I don’t think I’ve heard is “disposable” for Apple software. Starting on 10.6.8, I didn’t think I was getting in on the high point. All we wanted was a 64bit FCP, with maybe some more resolution options. EOL was the option- for the whole suite. So I can never take Apple seriously for any product they whimsically produce today. It’s not hate anymore, as soon as ProRes doesn’t matter things will really change…

    Michael E Locke

    Roxie Summit Productions, LLC

  • Michael Locke

    February 24, 2017 at 4:43 am in reply to: Adobe CS6 only to mac os 10.7??

    Late in, but I’m pretty sure Lion was current when CS6 came out, so Adobe was just letting all the CS5.5/Snow Leopard (good ol’ 10.6.8) owners know it was built for Lion. Personally, I’ve only had issues with Encore crashing, after Mt. Lion (10.8.5), but I’ve got a 2012 13″ running it just for burning discs/field unit.
    Indeed, this 15″ 2014 retina (11,3) is on it’s stock 10.10.5 Yosemite (won’t give up OLD disc utility)- and Pr/Ae/Ps/Br all work textbook. So if you don’t have to rip BluRays for festival submissions/etc, it’s still good for the most part. My light indie work still doesn’t need more than CS6, so just keep running it (CC can wait)…

  • Michael Locke

    October 13, 2015 at 1:37 am in reply to: FAT32 flash drive issue

    Greetings Oliver,

    I’m a fan from not to far (Atlantic Beach); have you tried formatting in ExFat? If your drive is 64GB+, it should be formattable as such and is certainly the newer version of “Fat”. A 64GB Sandisk Extreme Pro Micro SD card is $50, and the form factor/toughness/transfer is unbeatable (fingernail-size; waterproof, shockproof, x-ray proof; 90MB+ read/write ).
    No experience transferring files other than direct from the camera (T2i, GoPro3+) in Fat32 or ExFat, so no help there. Sad to here, for future projects between multiple machines, as I had planned to format an SSD External drive in Fat (although ExFat) just for such needs…

  • Michael Locke

    October 13, 2015 at 1:07 am in reply to: Best way to move massive files

    Hey Chris,

    Not quite sure how this is an OS X question, seems more like “Arrays and Raids”, but then you might hear from Herr Zelin and you’re not ready for that. Hypothetical situations rarely exist in the real world: “…computer with multiple FW800 ports”; like what? Mac or PC? Operating system? These are real world facts necessary in answering your questions. If you want a response, we need to know this.
    Regardless, a direct connection, as you’ve noted, is your best bet (1 drive/1port). You’re still restricted to the max transfer of FW800 (100MB/s), and unless you have some extra software (Shotput Pro for example), you won’t be copying to more than one drive at a time.
    It really comes down to what specific machine you’re working with, the connections, and the drives/raids you copy from/to. “Lets say…” is theortical, and there’s a tremendously practical reasoning at Creative Cow, FYI..

  • Michael Locke

    September 30, 2015 at 4:43 am in reply to: Downgrade original Yosemite on 2014 Retina MacBook Pro?

    Hello again John, full circle on this thread. For the record, I never attempted to downgrade my 2014 15″ MBP, leaving it as a current machine to run future software and upgrade from there as needed.
    What I did was buy an Apple refurbished 2012 13″ MBP (9.2: one of the last you can tear apart, as you know), but it came with Yosemite! So I cloned an exact model from work running 10.7.5 to an SSD, now inside the “new” machine. FCS3 runs great on it (asst. edited a feature with FCP7 on Lion w/PluralEyes), and I have a Mt. Lion disk (optical!) to move forward from there as needed (Blackmagic, etc.).
    My advice would be to secure a machine of the time to run the older OS X, if you don’t already own one: that window is closing (certainly for original Final Cut). The 2012’s ran Lion, had ethernet,Thunderbolt (1st),Firewire 800, and USB 3 connections, with a factory optical drive (replaceable with an extra drive to edit to). Quite a bridge machine.
    This only matters if you cut your teeth with Final Cut Pro 7, and still want to open projects you started with. If not, let the old 32-bit go, and embrace the cloud (w/a copy of CS6 stashed)…

    p.s. Thanks for your efforts in responding to this page, timely and spot on.

  • Makes no sense. First off, you don’t have a Canon 5D shooting video, you have a 5D Mark II/III and if it’s recording H.264 (it is) Apple should love it. You don’t mention what operating system you were using before Yosemite, but if you have a 2013 (new cylinder) Mac Pro it was Mavericks.
    I reply because I come from a 13″ 2010 MacBook Pro (Snow Leopard was great) left it with good ol’ Mountain Lion and went to Yosemite with my new (2014) 15″ MacBook Pro: and iffy FCP7. So now I use Adobe, hoping to learn Avid. But no problems seeing the cards from my old T2i, mounts like any other drive ( same old DCIM files). Make sure you have the latest firmware updates for the camera

    https://www.usa.canon.com/cusa/support/consumer/eos_slr_camera_systems/eos_digital_slr_cameras/eos_5d_mark_iii#DriversAndSoftware

    and the latest Apple Pro Video Formats update (current version 2.0.2) via App Store: that should be it. Still have to convert it from the camera to ProRes to edit, but if you’re shooting people (low on action), it still looks great (even on a 40ft screen). Hope this helps some, but it should be working regardless.

    p.s. This site is BIG on precise, applicable information of your system, answers are slower with less…ml

  • Hey shooter/editors,

    Latest E1 plugin link I found was NOT Canon USA (go figure)…

    https://support-hk.canon-asia.com/contents/HK/EN/0200408402.html

  • Michael Locke

    March 21, 2015 at 6:09 pm in reply to: External video card for MacBook Pro?

    Apologies again for the slower response to you than yours. There seems to be some debate over GPU/T-bolt interface (other post). Do you know anyone who’s doing it now, hacked or otherwise? And thank you David, a veteran pro who finds time for this wishing…

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