Forum Replies Created

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  • A BVW machine has an 8 bit timebase corrector so there’s no benefit at all in capturing to 10 bit. The extra resolution just isn’t there in the first place.

    Martin
    Digital Heaven, London UK
    ________________________________________
    Ten Final Cut Plug-ins for just $10 each

  • Martin Baker

    October 2, 2005 at 7:36 am in reply to: how best to convert 16:9 DVCPro50 to 4:3?

    Gday

    The Kona won’t help you in this case, you’d have to do the scaling in FCP. From what you’ve said it sounds like you want to deliver a 16:9 letterboxed version and a full frame (cropped sides) version. One question – have you been editing the project in a 16:9 anamorphic sequence or in a letterboxed sequence? It makes a difference in the best way to produce your full frame version.

    Martin
    Digital Heaven, London UK
    ________________________________________
    Ten Final Cut Plug-ins for just $10 each

  • Martin Baker

    September 25, 2005 at 9:22 pm in reply to: 16:9 footage from AE displays wrong in FCP

    Hmmm weird. Try selecting the AE clip in the timeline and going to Edit > Remove Attributes menu. Check the Basic Motion and Distort boxes (if you can) and hit OK. Does that fix it?

    Martin
    Digital Heaven, London UK
    ________________________________________
    Ten Final Cut Plug-ins for just $10 each

  • Martin Baker

    September 25, 2005 at 5:18 pm in reply to: 16:9 footage from AE displays wrong in FCP

    I’m puzzled – Where are you getting this 1024×576 frame size from if your sequence is set to 720×576 anamorphic?

    Martin
    Digital Heaven, London UK
    ________________________________________
    Ten Final Cut Plug-ins for just $10 each

  • Martin Baker

    September 24, 2005 at 8:34 am in reply to: best way for Avid editor to learn FCP

    Mark

    This is very good advice about mindset and “not trying to turn it into an Avid”. I’ll be training two experienced Avid editors on FCP very shortly and I have a question about keyboard shortcuts – should I encourage them to embrace FCP’s native shortcuts or customise it to near Avid’s layout? Unfortunately the editors will be regularly switching between Avid and FCP in the future rather than going with FCP exclusively.

    Martin
    Digital Heaven, London UK
    ________________________________________
    Ten Final Cut Plug-ins for just $10 each

  • Martin Baker

    September 22, 2005 at 7:35 am in reply to: Copy Color Corection Settings to the 3rd clip??

    Unfortunately there isn’t a better way. However it would be neat if it worked so if a destination filter was selected when you hit Paste that it forced an overwrite from the source filter rather than adding it to the list. One for a feature request perhaps –
    https://www.apple.com/feedback/finalcutpro.html

    Martin
    Digital Heaven, London UK
    ________________________________________
    Ten Final Cut Plug-ins for just $10 each

  • Martin Baker

    September 22, 2005 at 7:28 am in reply to: DVCPRO50 FireWire to analog converter

    I’m afraid such a device doesn’t exist. Is this for monitoring? All FCP capture cards will happily take a DVCPRO50 timeline and output it if that’s what you need.

    Martin
    Digital Heaven, London UK
    ________________________________________
    Ten Final Cut Plug-ins for just $10 each

  • Martin Baker

    September 9, 2005 at 5:39 pm in reply to: Trouble with DVCPRO50 audio

    There are some audio quirks when transferring clips between 4.5 and 5. Try exporting an XML file (in XMLv1 format) from FCP5 and then importing that into FCP4.5 which might fix it.

    Martin
    Digital Heaven, London UK
    ________________________________________
    Ten Final Cut Plug-ins for just $10 each

  • Martin Baker

    August 21, 2005 at 7:25 pm in reply to: FCP 5.5

    “4. A static 2 or 4 screen box display during slip and slide. I hate having to hold mouse and slide.”

    4 way trim view definitely won’t appear – Avid have a patent on it. Discreet Edit got away with using the idea but I can’t see Apple doing the same 😉

    Martin
    Digital Heaven, London UK
    ________________________________________
    Ten Final Cut Plug-ins for just $10 each

  • Martin Baker

    August 9, 2005 at 7:17 am in reply to: 16:9 back from 4:3

    You should treat any letterboxed footage as 4:3 because that’s essentially what it is. This way the aspect ratios will work out so you can just zoom the clip up to fill the 16:9 frame.

    Martin
    Digital Heaven, London UK
    ________________________________________
    Ten Final Cut Plug-ins for just $10 each

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