Mark
Forum Replies Created
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Mark
February 22, 2007 at 12:55 am in reply to: How do you make timeline longer without stretching all the tracks?Thanks Stephen,
Have been swamped lately so my Red4 experience has been much more limited than I would have liked.
Mark
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Mark
February 21, 2007 at 6:48 pm in reply to: How do you make timeline longer without stretching all the tracks?PS….seems to me(from memory) that there are not only prefs in 4, but also project settings…sniff anround in there.
Good luck
Mark
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Mark
February 21, 2007 at 6:46 pm in reply to: How do you make timeline longer without stretching all the tracks?I looked in Red 3GL, on the PC. I don’t have 4 installed here at work, so I will have to check later.
Mark
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Mark
February 21, 2007 at 6:20 pm in reply to: How do you make timeline longer without stretching all the tracks?In the prefs, there is an option called keep keyframe time. Check it, then change the duration of your timeline.
Mark
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When you import the mnovie into AE, make sure to drag the footage onto the make new comp icon, that way you are sure that your comp matches your footage. Also, make sure that fields are properly interpreted.
When rendering out, make sure to render the fields if going out to TV.
Sorry, but I don’t know FCP (yes, there are a few of us out there) so for anything FCP related I can not help.
Mark
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Sound like you are seeing pixels….this is normal if you are indeed scaling or moving closer to the image with a camera. As Milenium suggested, try working with higher res originals.
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Charlie, you are not wrong. I use my NTSC to see my video and gt a feel for it. I use my scopes to make sure everything looks good and stays legal. I use my PC monitors for adjusting controls and the likes.
Whilst I have only been in this business 14 years, I was fortunate to start editing on tape. This invaluable experience that has helped my career. It helped me learn the basics and understand the fundementals of the television signal, something that is all too often forgotten.
Mark
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C’mon Charlie, why would I use a scope and go through all that work when my NLE has an auto-white feature (Please detect sarcasm hehehehe)….
Seriously, I feel lost without my waveform and vector. They are like the rearview in the car, I am constantly glancing at them to check out what is going on.
Back when I was editing tape, I remember using the scopes for the timing of the machines, something that had to be done each and every session…also something that I enjoyed doing. You know the drill, turn of the Procamp, time the VTRs, time the DVE etc. It was fun….
It blows my mind when a new employee comes in and has gone to school, but can’t read either a scope or a wiring diagram. For me, those should be taught from day one in TV school….Oh yeah, and don’t get me started about troubleshooting skills.
Hope to see you again at NAB this year Charlie. Last year was fun…the tour of your edit suite was really cool.
Mark
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Mark
February 20, 2007 at 7:51 pm in reply to: Stabilizing to remove an element then reintroducing the camera movementNice work…
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Mark
February 20, 2007 at 1:44 pm in reply to: Stabilizing to remove an element then reintroducing the camera movementOh, I see…sorry, didn’t know that you wanted the same movement…Not really sure how to do this…
Mark