Forum Replies Created

Page 32 of 82
  • Thanks Stephen,

    Have been swamped lately so my Red4 experience has been much more limited than I would have liked.

    Mark

  • PS….seems to me(from memory) that there are not only prefs in 4, but also project settings…sniff anround in there.

    Good luck

    Mark

  • I looked in Red 3GL, on the PC. I don’t have 4 installed here at work, so I will have to check later.

    Mark

  • In the prefs, there is an option called keep keyframe time. Check it, then change the duration of your timeline.

    Mark

  • Mark

    February 21, 2007 at 12:01 pm in reply to: Render Queue question… !!!

    When you import the mnovie into AE, make sure to drag the footage onto the make new comp icon, that way you are sure that your comp matches your footage. Also, make sure that fields are properly interpreted.

    When rendering out, make sure to render the fields if going out to TV.

    Sorry, but I don’t know FCP (yes, there are a few of us out there) so for anything FCP related I can not help.

    Mark

  • Mark

    February 21, 2007 at 11:57 am in reply to: Image looks bad on camera movement

    Sound like you are seeing pixels….this is normal if you are indeed scaling or moving closer to the image with a camera. As Milenium suggested, try working with higher res originals.

  • Mark

    February 21, 2007 at 11:53 am in reply to: CRT vs. LCD

    Charlie, you are not wrong. I use my NTSC to see my video and gt a feel for it. I use my scopes to make sure everything looks good and stays legal. I use my PC monitors for adjusting controls and the likes.

    Whilst I have only been in this business 14 years, I was fortunate to start editing on tape. This invaluable experience that has helped my career. It helped me learn the basics and understand the fundementals of the television signal, something that is all too often forgotten.

    Mark

  • Mark

    February 21, 2007 at 11:45 am in reply to: computer screen for editing

    C’mon Charlie, why would I use a scope and go through all that work when my NLE has an auto-white feature (Please detect sarcasm hehehehe)….

    Seriously, I feel lost without my waveform and vector. They are like the rearview in the car, I am constantly glancing at them to check out what is going on.

    Back when I was editing tape, I remember using the scopes for the timing of the machines, something that had to be done each and every session…also something that I enjoyed doing. You know the drill, turn of the Procamp, time the VTRs, time the DVE etc. It was fun….

    It blows my mind when a new employee comes in and has gone to school, but can’t read either a scope or a wiring diagram. For me, those should be taught from day one in TV school….Oh yeah, and don’t get me started about troubleshooting skills.

    Hope to see you again at NAB this year Charlie. Last year was fun…the tour of your edit suite was really cool.

    Mark

  • Nice work…

  • Oh, I see…sorry, didn’t know that you wanted the same movement…Not really sure how to do this…

    Mark

Page 32 of 82

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy