Forum Replies Created

Page 2 of 26
  • Majorasshole

    June 13, 2007 at 6:06 am in reply to: Where Can I Get More Grunge?

    Grunge is all around you and you probably didn’t even notice it.
    Any collection even large ones, run out of useable combinations eventually. And usually sooner rather than later. Making your own stuff is the key. A good digital SLR is a great way to get textures. Shoot in your basement or parking lot or a downtown alley. Shoot everything everywhere and amass a collection of stuff that could be useable.

    for footage, alot of the riot gear stuff is shot with a nice HVX200 or something, but you can shoot your own splatter with just a video camera, some paint and some paper. For droplet stuff you can try dropping paint into a fishtank and videotaping it.

    I know old school editors who used to keep books and books of photos they used for their library of textures.

  • Majorasshole

    June 9, 2007 at 3:27 am in reply to: Chroma keying or rotoscoping?

    Can’t your armor actor wear a black bodysuit? And you could shoot it in front of a white backdrop or cyclotron. That way you don’t have to do anything in post it is all done in camera as you want it. Dance shops should stock full bodystockings and headsocks.

  • Majorasshole

    June 9, 2007 at 3:19 am in reply to: 30fps in 24fps comp playing all 30 frames???

    right click it and choose interpret footage
    then conform it to the 23.976 and the footage will play slower
    it won’t be alot of slow motion going from 30 to 24. You can try using time remapping with the pixel interpolation feature turned on to slow it down further with decent results.

  • Majorasshole

    June 7, 2007 at 12:23 am in reply to: Despilling like Keylight with standard AE tools

    From a strictly untechnical point of view. The one thing other than just spill suppression that Keylight does is take the key color out of the specular reflections in your footage. So if a person was wearing a leather jacket and had a subtle greenish tinting to the shiny spots in the leather it will take that green out. You can simulate this with color correction, but keylight automates the feature.

  • Majorasshole

    June 6, 2007 at 12:20 am in reply to: Belief – B&W image animation

    or animated/travelling mattes

  • Majorasshole

    June 6, 2007 at 12:15 am in reply to: Creating Letterbox 16:9 DVD in PPRO2

    Using the full frame and a widescreen flag will only work on dvd players that support it. If you want a 4:3 version with black bars, you can make a 4:3 project with layer of black video and the 16:9 footage you want letterboxed layed over top, you may have to scale it to the correct aspect ratio. This way however you lose the pixels from the black bar area rather than using a full screen image.

  • HDV is still consumer quality HD. It uses a standard DV tape and the same bitrate as MiniDV Standard Definition. HDV It has to compress your HD footage more to fit it on that bitrape/tape.

  • Majorasshole

    May 23, 2007 at 3:21 am in reply to: How to go about green screen removal of leg?
  • Majorasshole

    May 23, 2007 at 3:20 am in reply to: Live Video Mixing

    https://www.audiovisualizers.com/toolshak/vjprgpix/softmain.htm
    here is a long list of vj programs. Most for manipulating and mixing clips and image elements in real time and/or with midi control.

    Of that list I would recommend MidiVid. It was written and designed by a two friends of mine.
    https://www.midivid.com/

  • Majorasshole

    May 23, 2007 at 12:40 am in reply to: How to go about green screen removal of leg?

    here is a bit of info from how they did this effect to Gary Sinise in Forrest Gump with a really bad photograph.
    https://www.time.com/time/photogallery/0,29307,1622338_1363003,00.html

    https://sinisefans.org/gump/fx3.jpg

Page 2 of 26

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy