[Majorasshole]

you will have to have a locked down camera for every shot, and nothing can get between the camera and the limb. If you dont wan’t the camera to move then just shoot the environment without anyone in it. If you want to move the camera you will need a motion control camera to capture a clean plate with the camera movement. In both cases you will have to also rotomask the shadow of the leg out of the scene. It is not plug and play, it will take some compositing creativity.

[Majorasshole]

I guess you didnt read my last post where I said:
“never read the rest of the thread”

I guess you didnt read the rest of the thread before you posted either.

[Majorasshole]

never read the rest of the thread. Oh well… f him.

[Majorasshole]

Admin note: Post deleted by admin. First warning.

[Majorasshole]

Now go buy a couple copies of all of Andrew’s DVDs

[Majorasshole]

Try recapturing in Premiere Pro.
What wrapper and codec did you save it to when you captured it? Did you view it when you captured it? Was it only like that after you saved it out of movie maker? If you bring it back into movie maker is it still broken?

[Majorasshole]

thats a radial blur

[Majorasshole]

I use both. I was referring to thadrick’s statement “who uses avi”

[Majorasshole]

I have an HVX200 so yes.

[Majorasshole]

You could use a null as the focal point instead of the text, and then just keyframe the null moving between each of the text pieces you want to focus on.