[Lillian Young]

Perfectly stated!

I also feel that AI has shifted what impresses non-artistic people who may be clients. You can make something amazing but because AI can generate something just as — if not more impressive, they may shrug at your work where before, they were impressed.

I am more concerned though with free software also being a threat to longtime 3D and motion pros. People who weren’t even into the craft for lack of desire to pay are now in this space.

[Lillian Young]

Thank you, Steven!

[Lillian Young]

I am. I no longer have RF 10 so this is my go-to. I don’t use it often, but it seems power packed and capable for the basics.

[Lillian Young]

Thanks for responding so fast, Kalleheikki. I will check that out to see if it works for me. If nothing else, it’s a way to go about it based on his sample.

[Lillian Young]

Michael – Thanks for swiftly responding.

I have no idea why I didn’t initially get the unmatched project settings warning before. I am new to Resolve, but based on your questions, I started a new project, imported the same footage into the Media Pool and this time got the “different settings” pop-up. I tested a clip and it rendered properly.

Thank you!

[Lillian Young]

Maya 2017 Update 3 comes with the MASH Maya to AE Live Link plugin.

https://vimeo.com/206204563

However, there’s a third party one that I am using called Dark Arts Tools for Maya v 2.90 (on Highend3D). It has a tool called “Auto Locator – Maya to AFX” that allows you to select the locators and camera, press the button. It then automates the baking and creates a file with your camera and locator data for importing into AE.

https://www.highend3d.com/maya/script/dark-arts-tools-for-maya-for-maya

I hope that helps.

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[Lillian Young]

I’ve hopped over to Avid some and may re-consider when time allows me to really learn it.

I don’t understand how something can be wrong with multiple systems, but I do see how something can be wrong with one project given multiple Premiere Pro updates.

Thanks for your feedback. I am still upset and expressing myself from that position of frustration, but plan to try contacting Adobe tomorrow to hopefully avoid having to go to my office just to use Premiere.

[Lillian Young]

So be it. It’s a rant and that’s how I feel. I’m paying $50/month for Premiere when I could be pirating it instead like many do.

Every non-editor I meet uses FCPX. I’ve defended FCPX and use it for quick, private projects. But it’s iMovie + Motion, basically.

And I specifically posted this in the “FCPX or Not: The Debate” forums.

[Lillian Young]

I’m using it on 3 different computers. A Mac Pro from 2008 (Mavericks), MacBook Pro from 2012 (El Capitan) and a Mac Pro from 2015 (Mavericks).

I don’t see how it’s the machine. Also, enough people have had the same issue.

I’m just starting my new projects in anything but Premiere.

[Lillian Young]

Same, and it’s 2016. No solution. I’m trying to reach Adobe and they’re closed. Great.