[Lillian Young]

Okay. I created the keyword collection. I’ll have to get used to this workflow.

Thanks to you both.

[Lillian Young]

Hi Oliver, I was able to replicate the problem and the clip’s Sample Rate is 44.1 Khz. Some media in the same project has a SR of 48 kHz.

[Lillian Young]

Okay, all. I have learned that some of the things I initially stated were accurate. The ‘timeline,’ for example. You can click a clip from the event browser and select Open In Timeline. Hence, the term isn’t fully eliminated.

I can go on but thanks to this forum, I have decided to give X another chance. I still feel that there are a bunch of workarounds for things that should be more straightforward, so convincing a team to use this may be challenging.

[Lillian Young]

I have FCP X 10.0.9 open right now. I learned the prior way from an older tutorial, so thanks for the correction.

[Lillian Young]

I just thought of something, Craig. A lot of the tutorials I have watched are dated by year or version.

That may explain why I am aloof on some features despite all of the tutorials I’ve watched.

[Lillian Young]

That’s good to know. I may play around with 10.1 on my laptop.

Yeah, in 10.0.9, you have to select the clips and create a Storyline to secondary clips to create a transition.

[Lillian Young]

Yes, I have used AE professionally for 6 years and love 3D and animation. Editing…let’s say, FCPX adds excitement back into it. That’s why I want it to work for me.

I think my best solution is to cut a project in Premiere Pro CC, then Avid and I’ll know. I will have tried all three popular alternatives.

[Lillian Young]

Thanks, Bill 🙂

[Lillian Young]

Having used Avid for 10 years, I am interested in your view of X comparatively.

Have you switched to X as a primary tool?

[Lillian Young]

You’re not offending me. You are responding respectfully and being kind enough to give me your time here.

I will review the responses here, revisit some of the tutorials from Ripple Training and give X another try.

Thanks!