[Larry Watts]

Guess what? Adobe Audition can convert stereo tracks into dual mono by right clicking the file and choosing extract channels to mono files!

A bunch of people were looking for a way to do this

[Larry Watts]

Yes, I use them all!

My preferred editor is FCPX, but I also us Audition since I’ve used it since it was called Cool Edit.

I use after effects since I owned it when it was called COSA After Effects, but I love Motion.

I’m fixing some audio for another producer whose project is in Premiere, so it helps to keep up to speed on it. It’s amazing how similar Premiere is to Sony Vegas which I like very much except I’m a mac shop.

Apple tends to be more intuitive, but I can learn Adobe too!

Larry

[Larry Watts]

It doesn’t not appear RX4 can use the OMF interchange. Does it?

[Larry Watts]

Good to know, Peter.

I bought RX4 and wondering if I should get the upgrade.

I use Premiere and (all the CC products) FCPX and need fast, powerful audio cleanup.

The lack if a good forum was concerning me, plus I haven’t seen the best workflow to and from my editing packages.

Even audition is not a great run trip with Premiere.

Are there many users here?

THanks

Just not sure it was a great investment.

[Larry Watts]

How can I control each separately??? Or should I copy and past to make left mono and right mono?

THX

Larry

[Larry Watts]

Thanks! I had already read it.

Here’s what I know now:

FCPX imports polyphonic wav files just fine. I failed to expand audio components. When I did I gained the ability to keyframe levels on each wav file just fine! So FC syns just fine to a poly and opens the poly on the timeline.

What I still need is a way to round trip it to apple logic and back if I need more tools.

In the future I won’t let FC “fix” my audio.

Thanks!

[Larry Watts]

Your point on lighting is a big factor, certainly. I’d have to get the wide shot as a separate take.

I don’t mind the additional editing time (I think), but my thought was that there would be less editing time with steadicam shots of longer length than a bunch of cutting back and forth.

The talent aspect is without question true as I’ve experienced that personally.

Thanks for the comments!

I’d love others to chime in.

The pressure I feel is that network TV and Movies have so much motion now, and add onto that the all the DSLR gear that affords motion for even the lower budget production that without steadicam footage it might appear dated. ??

[Larry Watts]

Erik,
I mounted the ninja 2 with a small 2 segment rotolight arm attached to the thread os the top handle.
The ninja is upside down, but flipping the picture was easy.

If a picture would help I can send one

Larry

[Larry Watts]

Larry Jordan training is excellent.

[Larry Watts]

I am running mavericks and I cannot find final cut pro x preferences anywhere. I’ve googled tip I’m worn out! Where are they? How do you trash them?
And while I’m at it how to repair permissions as well?