Forum Replies Created

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  • Actually Jan, the LE product has been released. Version 2.5 of Axio is what is still in beta and it has REALLY GREAT support for Native P2 MXF as well as support for “that other” tapeless aquisition format from S**y.

    😉

    LS

    Larry Sherwood
    Sherwood Post Production
    Los Angeles, CA
    1 310-928-6829 Home
    1 818-926-7498 Cell
    larry@sherwoodpost.com

  • Larry Sherwood

    April 11, 2006 at 12:40 am in reply to: Premiere Pro Versus Final Cut Pro

    Glad to hear positive experiences with long form on PPro, but a key part of my question was whether or not any of you had nested timelines in your final version that were created because of the need to sync dailies on the system. I would still like to hear expereinces with nested timelines in a long form project.

    Thanx to all who replied

    LS

    Larry Sherwood
    Sherwood Post Production
    Austin, Texas
    512 219-8721
    larry@sherwoodpost.com

  • Larry Sherwood

    April 9, 2006 at 3:34 pm in reply to: Premiere Pro Versus Final Cut Pro

    Is anyone doing long-form, feature or doco, projects on PPro. I have heard of some problems in PPro projects that:

    A. Have loads of source material
    B. Use nests in their main timeline because of the need to “sync dailies” on the system

    I have heard that there are still some “memory” issues with long projects.

    Any comments from users who are doing these on PPro 2.0 ?

    Thanx
    LS

    Larry Sherwood
    Sherwood Post Production
    Austin, Texas
    512 219-8721
    larry@sherwoodpost.com

  • Just FYI – Matrox Axio provides monitoring of audio input on capture with PPro, so it can be done 😉

    LS

    Larry Sherwood
    Sherwood Post Production
    Austin, Texas
    512 219-8721
    larry@sherwoodpost.com

  • Larry Sherwood

    March 2, 2006 at 9:48 pm in reply to: Can someone please clarify for me re DVCPRO

    As far as Axio support for P2/MXF . . .I can only say Stay Tuned for possible announcements at NAB

    ;>)

    LS

    Larry Sherwood
    Sherwood Post Production
    Austin, Texas
    512 219-8721
    larry@sherwoodpost.com

  • Larry Sherwood

    March 2, 2006 at 2:44 am in reply to: My first test footage is broken (DVX100A).

    Standard settings are correct for 24P shot on DVX100A. IF you want to edit in 24P then you MUST shoot in 24P Advanced . . .

    LS

    Larry Sherwood
    Sherwood Post Production
    Austin, Texas
    512 219-8721
    larry@sherwoodpost.com

  • Larry Sherwood

    March 2, 2006 at 1:49 am in reply to: My first test footage is broken (DVX100A).

    To get true 24P I believe you MUST shoot in 24PA (F6) mode on the camera, then open a Premiere Project in Panasonic 24P mode and capture and edit in that. Are you sure you shot this in 24P, it looks like you may have used 24PA mode instead.

    LS

    Larry Sherwood
    Sherwood Post Production
    Austin, Texas
    512 219-8721
    larry@sherwoodpost.com

  • Larry Sherwood

    February 26, 2006 at 2:58 am in reply to: clarification

    If you’re talking about 2.0 Jack, you don’t need the Pen tool, the Select tool + Cntrl Key now work fine for creating keyframes.

    LS

  • Larry Sherwood

    February 19, 2006 at 10:31 pm in reply to: drives me nuts

    This is one of my pet peaves, I hate having to scroll L/R. The window size should be honored and scrolling should only be needed vertically. . .
    I’m glad it’s not just me : )

    LS

  • Larry Sherwood

    February 15, 2006 at 10:21 pm in reply to: PP Titler Questions

    OK John –

    Open Titler

    Select the Text tool

    type a name and then Hold down the Alt key and on the numeric keypad type 0,1,6,9

    you will have a

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