Kris Strobeck
2
After Effects Coins
2
Apple Final Cut Pro X Coins
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COW Coins
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Premiere Pro Coins
Forum Replies Created
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Been a long time since this post, but here is the current solution. You need to install this to use Red footage with Final Cut Pro X.
https://www.red.com/download/red-apple-workflow-installer
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Needed this today and just now seeing it and it did exactly what you said. Thanks!
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Hey all. Just wanted to post this solution. An AAF from Premiere Pro to Logic Pro X is working well for me. There are a few things to note. If you have clip volume levels, they will translate (but there are caveats)! They don’t come to Logic Pro X as clip gain but as automation in the track. Awesome!
You’ll probably need to show the automation and then select “volume” since it may default to “display off”. You should then see levels. If there are no level changes on clips in a given track in premiere, the automation in Logic Pro X should be at 0db.
If you have any audio clips with automation in a track, as I said, those should come across. But… if you have additional clips later in the timeline without any changes, you will not see the automation go back to zero unless you add at least one keyframe on the clip in premiere. Then it will change the automation back to zero. You may need to do this to any clips that don’t have any automation change.
In the second paragraph, I say “probably” and “maybe” because I found a great workaround for a project with a lot of tracks to have the volume automation display come across set to on. So, it’s a weird bug, but if you add a keyframe to a clip after clips with automation in a given track, voila, when you import the AAF into logic and toggle on the automation view, ALL tracks should be already set to volume and display automation changes.
Please feel free to ask questions. I just figured these couple of things out today and was so happy to see that editor audio clip levels can come across and I can work from there. I also have any audio effects coming across burned into the audio with the same audio un-affected as well. See “Render audio clip effects” and “Include clip copies without effects” here:https://helpx.adobe.com/premiere-pro/using/export-aaf-files.html
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Nice idea! Just wanted to add to this thread if anyone come across it that a nested clip can be dragged from the project window to a sequence with all the internal clips and audio showing. You just have to un-tick the top left button in the sequence window. Photos attached. If this is checked, it will drag in as one video and one audio. If you have this un-checked, it will come in will all the broken out clips in the nested clip. And yes, I haven’t decided whether to used ticked or checked yet.. 😁
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I know this is a really old thread, but I am having this issue and understand it’s how warp stabilizer works, but I did notice something when stabilizing multicam clips in the timeline. It retains the proxy and stabilizes. I’m using a mac and premiere pro 23.0.0 (Build 63). I hope this helps some people. I haven’t tried nesting clips, but that might be an idea to try.
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@waltersoyka, great response and thank you for sharing this a few years ago. I’m just now showing up here and have been able to do well, but I’m having an issue. I use vector graphics for animated videos and also use continuous rasterize for quality. Simple enough.
When I pre-compose, if I zoom far in to the pre-composition in the original comp using a camera, I see image degradation. So, it appears that it doesn’t fully treat layers as if they are directly in the first composition. When this happens, I tick collapse transformations and it seems to heighten the graphic to behave as fully continuously rasterizing. So, no problem so far.
Now, I’d like to use the puppet tool to do some character movements and still use either a direct layer in my main comp or a pre-composed layer. It breaks the layer in the same comp if I try to use puppet tool and 3d layer on the same layer and a camera, so I precompose. But I still cannot use the puppet tool and use a 3d approach to move between objects without sacrificing quality even though I’m using vector and continuous rasterize.
I hope that was somewhat clear and I appreciate anyone’s help on this!
Thanks again!
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This confused me a lot but I’m happy to say I found the simple fix. 1. Make the layers in the pre-comp 3d as well and 2. turn on continuously rasterize (the little gear at the top) on those layers. Then 3. turn on the gear on the pre-composition in your main composition and 4. make that layer 3d.
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Ok, what has really been working well for me is going crazy in a pre-comp with shadow highlight and contrast. This gives the software more difference between parts of the image, so it can be much more successful in tracking!
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What worked for me, FINALLY, is to go to the top computer menus while in Premiere and select Window/Workspaces/Reset To Saved Layout… then I set it back up how I wanted really it. All I had done was drag the screen to another monitor…
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Ok, the link I posted doesn’t work anymore. But, one possibility may be that you have a moving object in your scene and it is having a hard time tracking with it. Mask the moving Item out to track and then put it back in after you track your camera. That should work!
