Kevin Monahan
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Yes, add your voice by making a feature request here: https://www.adobe.com/go/wish
Kevin Monahan
Sr. Content and Community Lead
Adobe After Effects
Adobe Premiere Pro
Adobe Systems, Inc.
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Here’s what I use: https://assistedediting.intelligentassistance.com/SequenceClipReporter/
You can also export an XML from Premiere Pro and import into FCP7. Export the list from FCP7.Kevin Monahan
Sr. Content and Community Lead
Adobe After Effects
Adobe Premiere Pro
Adobe Systems, Inc.
Follow Me on Twitter! -
You’ll need to do secondary color correction.
Check out this video tutorial by Andrew Devis on the COW:
https://library.creativecow.net/articles/devis_andrew/Premiere-Pro-CS6-Basics_55/video-tutorialKevin Monahan
Sr. Content and Community Lead
Adobe After Effects
Adobe Premiere Pro
Adobe Systems, Inc.
Follow Me on Twitter! -
We at Adobe try to stop by the Cow and help users as often as we can. We also hang out on our own forums even more often. These are two great places to get help.
I’m sorry our Tech Support was not satisfactory for your needs. These are highly trained experts and we meet with them frequently to discuss problems they might have difficulty solving. BTW, if a case is escalated, we have support stateside, as well.
Answer the following questions on our FAQ, and we’ll do our best to help you:
https://forums.adobe.com/message/4200840#4200840Kevin Monahan
Sr. Content and Community Lead
Adobe After Effects
Adobe Premiere Pro
Adobe Systems, Inc.
Follow Me on Twitter! -
Please make a feature request: https://www.adobe.com/go/wish
Kevin Monahan
Sr. Content and Community Lead
Adobe After Effects
Adobe Premiere Pro
Adobe Systems, Inc.
Follow Me on Twitter! -
I put the rendered comp on V2, and leave the DL’d comp on V1 for the same purposes, Tom.
Kevin Monahan
Sr. Content and Community Lead
Adobe After Effects
Adobe Premiere Pro
Adobe Systems, Inc.
Follow Me on Twitter! -
I would do a one light grade in Source Settings, but accomplish the secondary color correction with the 3-way Color Corrector, or SpeedGrade.
Kevin Monahan
Sr. Content and Community Lead
Adobe After Effects
Adobe Premiere Pro
Adobe Systems, Inc.
Follow Me on Twitter! -
Hi guys, we know about this request. If you have a feature request, leave it here: https://www.adobe.com/go/wish
Kevin Monahan
Sr. Content and Community Lead
Adobe After Effects
Adobe Premiere Pro
Adobe Systems, Inc.
Follow Me on Twitter! -
You can file a bug report: https://www.adobe.com/go/wish
Kevin Monahan
Sr. Content and Community Lead
Adobe After Effects
Adobe Premiere Pro
Adobe Systems, Inc.
Follow Me on Twitter! -
[Steve Cornell] “No, didn’t work. I tried ‘shift’ + as well. Anyway to map a keyboard shortcut to this ? “
Sorry, the +/- buttons work on waveforms in Premiere Pro CS6, and not in CS5.5. There is the zoom bar, but probably not what you’re looking for.
[Steve Cornell] “Also, if I double click a clip from my sequence timeline and load it into the Source panel, zooming out reveals much more than the wave form I’ve already cut. Its showing me the entire waveform from the entire original clip I imported into to the project. At this point, I’ve made my cuts and only want to see from the in to the out point and nothing more. Anyway to do this ? “
The area you marked should be highlighted. You can use the zoom bar to zoom in closer.
Kevin Monahan
Sr. Content and Community Lead
Adobe After Effects
Adobe Premiere Pro
Adobe Systems, Inc.
Follow Me on Twitter!