I’m capturing stuff from two decks:
Sony PVW-2800
Sony J-3
I’m outputting to either a Digibeta Deck from Sony or to the PVW-2800.
My main problem is whitie, and chroma levels, I’m making progress with the white level by making tiny adjustments to my input proc amp gain. My system is capturing and laying back white and black levels properly. Chroma levels are another story. When I render something in After Effects, then output it in Final Cut Pro, I get illegal chroma levels. I had several tapes refused technical approval at PBS in the States recently and I wondered if there was somethign else I could change about my system to clamp all my chroma at 100.
I could use the NTSC safe plugin in FCP, or use the “Safe Colors” buttons in some of the AE plugins I use. Maybe I’m, missing a step in my workflow…
Do you have any ideas?